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The flexible miniature microphone system for professional users. A comprehensive selection of accessories permits adaptation to a wide range of requirements. Seven different capsules are available.
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For recording situations where the mic must remain "invisible".
KM 120
| MS-Stereo microphone, in combination with the KM 140 |
| Two crossed AK 20s in Blumlein technique |
| Inconspicuous spot microphone with optimum attenuation of lateral sound sources |
| Single microphone for two speakers facing each other |
KM 130
| Ideal as AB stereo pair in the diffuse sound field because of the flat frequency response |
| As a main mic, especially for capturing room acoustics |
| For stereo recordings with a baffle platet |
| As a spot mic for piano, wind instruments, organ, and choir |
KM 131
| For close miking of instruments when there is no need to attenuate extraneous noise, and in a balanced acoustic environment to record acoustic guitar, wind instruments, strings, percussion, and drums |
KM 140
| Universal usage, especially in situations when it is necessary to attenuate sound coming from adjacent instruments |
| As XY and ORTF stereo pair |
| Announcer's mic for broadcasting |
| Spot mic, overhead |
| Close miking of strings, wind instruments, percussion, piano, Leslie speakers, guitar amps |
| We recommend using an additional windscreen to minimize the effects of high wind velocity |
KM 143
| Polar response characteristic acts more like an omni. Therefore, it is an ideal tool to record larger instrument ensembles |
| As AB stereo pair, especially in rooms with less than ideal acoustics |
| As spot mic for strings, wind instruments, percussion, and Leslie speakers |
| Acts very neutral when used close up to bass instruments, such as double bass, bass amps, guitar amps |
KM 145
| It naturally compensates for proximity effect |
| Acts very neutral when used close up to bass instruments, such as double bass, bass amps, guitar amps, Leslie speakers, toms |
| Very neutral tonal balance during close miking of speech, as in TV, movie and video productions, PA systems |
KM 150
| As XY stereo pair |
| Overhead |
| Toms |
| In situations that are susceptible to acoustic feedback |
| To attenuate unwanted sound of nearby instruments |
| Recording of speech, as in TV, movie and video productions, PA systems |
| Produces especially warm and bass supporting sound for artists who perform in proximity effect range |
| We recommend using an additional windscreen to minimize the effects of high wind velocity, and plosive sounds |
These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.
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