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The KM 184 (cardioid) in particular has become the classic high-quality miniature microphone. Now also available in attractive stereo sets, with cardioid, hypercardioid or omni directional characteristics.
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KM 183
| For close miking of instruments when there is no need to attenuate extraneous noise, and in a balanced acoustic environment to record acoustic guitar, wind instruments, strings, percussion, drums |
| Ideal as AB stereo pair because of the flat frequency response in the diffuse sound field |
| As a main mic, especially for capturing room acoustics |
| For stereo recordings with a baffle plate |
| As a spot mic for piano, wind instruments, organ, choir |
KM 184
| For universal use, especially for recording situations when it is necessary to attenuate off-axis sound (mainly from the rear) from other nearby instruments. |
| As XY and ORTF stereo pair |
| Announcer’s mic for broadcasting |
| Spot mic, overhead |
| Close miking of strings, wind instruments, percussion, piano, Leslie speakers, guitar amps |
KM 185
| Especially for recording situations when it is necessary to attenuate off-axis sound (lateral and rear) from other nearby instruments. |
| As XY stereo pair |
| Overhead, toms |
| To attenuate unwanted sound of nearby instruments |
| Recording of speech, as in TV, movie and video productions, PA systems |
| Produces especially warm and bass supporting sound for artists who perform in proximity effect range |
These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.
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