CMV 3

First Condenser Microphone

The 'Neumann Bottle', the first ever mass produced condenser microphone. Diameter: 9 cm, height: 40 cm, weight: 3 kg. Telefunken, a subsidiary of AEG, took on the marketing rights to this Neumann microphone.

MM 2

Measuring Microphone

Neumann’s first measurement microphone. Its tube amplifier was based on the U 47’s, but instead of a large diaphragm capsule it used a tiny high-precision condenser capsule on a long neck to avoid reflections from the microphone body.

U 47

Switchable Condenser Microphone

The first switchable pattern condenser microphone. It has been used in countless famous recordings. Maybe the most popular Neumann microphone – A Legend.

M 49

Remote Switchable Condenser Microphone

The M 49 was the first studio microphone with a continuously variable directional pattern. It used the same large diaphragm capsule as the U 47 and ranks among the most sought-after tube microphones of all time. In 2022 it was reissued by Neumann as the M 49 V Set.

M 50

Condenser Microphone (omni)

The M 50 was instrumental in developing the Decca tree recording technique. The open mesh headbasket houses a small diaphragm capsule flush mounted in a small sphere. Its unique acoustic properties are ideally suited to orchestral recordings.

KM 53

Miniature Microphone

Neumann’s first small diaphragm studio microphone. The KM 53 was a pressure transducer with an ultra-thin metal diaphragm. Like all microphones of its time, it operated with tube electronics.

KM 54

Miniature Microphone

The KM 54 was the cardioid counterpart to the omnidirectional small diaphragm microphone KM 53, introduced the previous year. The KM 54 featured an ultra-thin metal diaphragm and tube electronics.

MM 3

Measuring Microphone

The MM 3 was a high-precision measurement microphone, much like its predecessor, the MM 2, but with updated tube electronics.

KM 56

Switchable Miniature Microphone

Neumann’s first small diaphragm microphone with selectable directional patterns (omni, cardioid, figure-8). Due to its complexity on a small footprint the KM 56 ranked among the most expensive microphones of its era.

SM 2

Stereo Microphone

Neumann’s first stereo microphone. With its two independently switchable small diaphragm systems (omni, cardioid, figure-8) the SM 2 allowed for all kinds of coincidental stereo recording techniques.

U 48

Switchable Condenser Microphone

The U 48 was a special variant of Neumann’s flagship studio microphone, the U 47. Instead of cardiod and omni patterns the U 48 offered cardioid and figure-8.

MM 5

Measuring Microphone

The MM 5 was an update on Neumann’s previous measurement microphones MM 2 and MM 3 with lower noise electronics, but still tube-based. The MM 5 was to remain the last measurement microphone produced by Neumann.

KM 253

Miniature Microphone (HF proof)

A special version of the omnidirectional small diaphragm microphone KM 53 for the broadcast industry. For increased RF-immunity the KM 253 was fitted with a new, larger plug.

KM 254

Miniature Microphon (HF proof)

A special version of the cardioid small diaphragm microphone KM 54 for the broadcast industry. For increased RF-immunity the KM 254 was fitted with a different plug.

KM 256

Miniature Microphone (HF proof)

A special version of Neumann’s flagship small diaphragm microphone KM 56 with switchable patterns (omni, cardioid, figure-8). As requested by the broadcast industry, the KM 256 was fitted with a different plug for increased RF-immunity.

U 67 (1960)

Switchable Condenser Microphone

The U 67 tube microphone was the quintessential studio workhorse throughout the formative years of modern music. Today, more than ever, its inimitably smooth sound continues to be in high demand. In 2018, it was reissued by Neumann as the U 67 set.

SM 23 c

Stereo Microphone

An updated version of Neumann’s stereo microphone SM 2. Like its predecessor the SM 23 has two small diaphragm systems with selectable polar patterns. The upper system may be rotated to allow for XY, MS, and Blumlein stereo techniques.

M 269 c

Switchable Condenser Microphone

The M 269 c was a special version of the U 67 for the German broadcast industry, which insisted on the use of the AC 701 tube (instead of the EF 86 used in the U 67).

KM 64

Miniature Microphone

The KM 64 was the successor to Neumann’s KM 54 small diaphragm cardioid microphone. It still used an AC 701 tube circuit, but its capsule was a new design with a Mylar diaphragm.

SM 69

Stereo Microphone

Neumann’s first large diaphragm stereo microphone SM 69 was still tube based. Polar patterns were selectable for each capsule individually via the power supply.

SRM 64

Long Neck Stage Microphone

A long neck stage microphone for speeches and presentations. The SRM 64 consisted of a cardioid condenser capsule and a tube amplifier, hidden in the lower part of the stand tube.

U 64

Miniature Microphone

The U 64 was a variant of the KM 64 small diaphragm microphone. Instead of the Telefunken AC 701, which was not as easily available in non-European countries, the U 64 used a tiny nuvistor tube.

KTM

Transistor Microphone for Modulation Lead Powering

Neumann’s first solid state microphone. The KTM was a small diaphragm microphone using the same capsule as the KM 64. The KTM was soon replaced with the KM 74, which was almost identical except for a smaller body diameter.

KM 66

Switchable Miniature Microphone

The KM 66 was a small diaphragm microphone with switchable patterns similar to the KM 56 but with two cardioid capsules with mylar diaphragms. The KM 66 was to remain Neumann’s last tube microphone design for almost 30 years.

KM 73

Miniature Microphone for Modulation Lead Powering

The KM 73 was an omnidirectional small diaphragm microphone with solid state electronics. It was powered via T-power, P48 phantom power had not yet been invented.

KM 74

Miniature Microphone for Modulation Lead Powering

The KM 74 the successor to the KTM, Neumann’s first transistorized microphone. It used the same cardioid capsule as the KM 64 and KM84, but the grounding scheme of its T-powered circuit necessitated a different capsule head design.

KM 75

Miniature Microphone for Modulation Lead Powering

The KM 75 was a cardioid microphone for short distances, e.g. in speech applications. Its capsule had a built-in low cut to compensate for the proximity effect. Like all KM 70 microphones, the KM 75 was T-powered.

KM 83

Miniature Microphone for Phantom Powering

The KM 83 was the omnidirectional model of the KM 80 series, which introduced a technology, which, due to its many advantages, soon became the new standard: P48 phantom power.

KM 84

Miniature Microphone for Phantom Powering

The small diaphragm cardioid microphone KM 84 was built until 1992 and remains one of the most popular Neumann classics. Its even frequency response and consistent pickup pattern make it a sought-after microphone for all genres.

KM 85

Miniature Microphone for Phantom Powering

The KM 85 was a cardioid microphone like the KM 84 but with a low cut built into the capsule to compensate for the proximity effect. The KM 85 was thus optimized for short distances as are typical in speech applications.

KML

Clip-on Microphone

Neumann’s first Lavalier microphone. Its solid state amplifier could be battery powered and used with wireless transmitters of the day, such as the Sennheiser SK 1007.

KM 76

Switchable Miniature Microphone

The KM 76 was the solid state successor to the KM 66 small diaphragm tube microphone. The KM 76 offered switchable patterns (omni, cardioid, figure-8) and operated T-powered.

U 87 i

Switchable Studio Microphone

The Neumann U 87 is probably the best-known and most frequently used studio microphone the world over. Its smooth and refined sound is as iconic as its elegant exterior design. The U 87 is the standard microphone for speech and vocals.

KM 86

Switchable Miniature Microphone

Like the KM 76, the KM 86 was a transistorized successor to the KM 66 small diaphragm tube microphone. The KM 86, however, was developed for P48 phantom power, introduced a few years earlier by Neumann – and soon the world standard.

KMA (1968)

Clip-on Microphone

The KMA (not to be confused with today’s KM A modular microphone system!) was an improved Lavalier microphone with an omnidirectional capsule and a detached amplifier. It ran on batteries or phantom power.

U 77

Switchable Studio Microphone (Mod. Lead Powering)

Like the U 87, the U 77 was a solid state successor to Neumann’s classic tube microphone U 67. But instead of phantom power – which was not yet a studio standard – the U 77 operated on T-power.

KM 88

Switchable Miniature Microphone

The KM 88 was a multipattern small diaphragm microphone (omni, cardioid, figure-8) with FET electronics, similar to the KM 86. However, it used the same nickel capsules previously found in the KM 56 tube microphone.

SM 69 fet

Stereo Microphone (Transistor)

With the beginning of the new decade, Neumann’s large diaphragm stereo microphone SM 69, too, was converted to solid state electronics. Nonetheless it still required a dedicated power supply due to its remote pattern control.

KMS 85

Handheld Microphone

Neumann’s first handheld vocal microphone had an unusual shape, but it proved that clever engineering could render condenser microphones stage-ready.

SRM 84

Long Neck Stage Microphone

The successor to the SRM 64 long neck stage microphone. Instead of a tube amplifier the SRM 84 had a solid state circuit hidden in the lower part of the stand tube.

U 47 fet (1972)

Studio Microphone

By the early 70s Neumann’s tube microphone U 47 was legendary among seasoned engineers, and many wished for a direct solid state successor. The U 47 fet never quite filled those giant footprints, but was eventually (re)discovered as a classic in its own right.

KU 80

Dummy Head

In the early 70s people began to think beyond stereo. Neumann’s first dummy head microphone KU 80 was able to capture a realistic, three-dimensional sound image for headphone playback.

QM 69

Quadrophonic Microphone

In the mid-70s quadraphonic sound became popular among hi-fi enthusiasts. The Neumann QM 69 was a variant of the SM 69 fet with four separate outputs for each half of the two dual diaphragm capsules.

U 497

Studio Microphone

A microphone specially made for the French broadcasting network ORTF. The U 497 featured a K47 capsule and a sophisticated solid state circuit, similar to that of the U 47 fet, but adapted to French radio’s 12V-powering system.

KMS 84

Handheld Microphone

Neumann’s second attempt at a stage microphone looked considerably more handsome than the KMS 85 introduced a few years earlier. The KMS 84 used the same capsule as the KM 84 in a newly designed headbasket with excellent pop protection.

KMR 82 i

短枪式话筒

诺音曼首款注重均匀离轴响应，最大化减少不必要的离轴染色的短枪式话筒。

USM 69 i

立体声话筒

USM 69 i是诺音曼大振膜立体声话筒SM 69 fet的更新版本。 由于它的集成模式控制，USM 69 i不再需要专用电源，但可以幻象供电。

U 89 i

录音棚话筒

作为U 87的继任者，U 89被公认为是一款经典的传承话筒，其采用全新的双振膜话筒头，五种拾音模式下都可以提供高线性度的声音。

KMF 4 i

Miniature Microphone

A miniature microphone with a detached amplifier. Its visually unobtrusive cardioid capsule had a diameter of only 17 mm. The KMF 4 i could operate on phantom power or batteries.

KU 81

Dummy Head

While older dummy head microphones created a stunningly realistic sound image when played back over headphones, loudspeaker playback was unsatisfactory. The KU 81 cured this with capsules equalized for the diffuse-field.

KMR 81 i

Shotgun Microphone

A short shotgun microphone, primarily designed for film dialogue. Like its longer sibling, the KMR 82 i, the KMR 81 i is still in production!

TLM 170

Transformerless, switchable Studio Microphone

With the TLM 170 Neumann brought the first transformerless microphone onto the market. The absence of transformers makes the sound more transparent and open.

U 87 Ai

录音棚话筒

与U 87 i相比，U 87 Ai做了一些改进：提升了操作安全性、优化了传输因数、改善了信噪比、省略了内部电池供应。

RSM 190 i

First Stereo Shotgun Microphone

A stereo shotgun microphone with external matrix box. The RSM 190 i was a mid/side microphone with the shotgun part delivering the M-component and a second figure-8 capsule system, angled 90 degrees, providing the S-component.

KM 130

Miniature Microphone

The KM 130 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 130 combines the KM 100 output stage with the diffuse-field equalized omni capsule AK 30.

KM 131

Miniature Microphone

The KM 131 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 131 combines the KM 100 output stage with the free-field equalized omni capsule AK 31.

KM 140

Miniature Microphone

The KM 140 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 140 combines the KM 100 output stage with the cardioid capsule AK 40.

KM 143

Miniature Microphone

The KM 143 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 143 combines the KM 100 output stage with the wide cardioid capsule AK 43.

KM 145

Miniature Microphone

The KM 145 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 145 combines the KM 100 output stage with the cardioid capsule AK 45, whose built-in low cut compensates the proximity effect.

KM 150

Miniature Microphone

The KM 150 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 150 combines the KM 100 output stage with the hypercardioid capsule AK 50.

GFM 132

Boundary Layer Microphone

Neumann’s first and only boundary layer microphone. The GFM 132 was designed using computer simulations: The unique shape of the base plate avoids comb filter effects.

TLM 50

Pressure Microphone

The TLM 50 revived the unique capsule technology of the classic Neumann M 50 of the 1950s and combined it with a cutting edge transformerless head amplifier for lowest noise and distortion.

KMS 140

Handheld Micropohne

A handheld condenser microphone for pristine vocals on stage. The KMS 140 (cardioid) was the precursor to today’s very successful KMS 104.

KMS 150

Handheld Microphone

A handheld condenser microphone for pristine vocals on stage. The KMS 150 (hypercardioid) was the precursor to today’s very successful KMS 105.

KFM 100

Spherical-Surface Stereo Microphone

The spherical surface microphone KFM 100 had two omni capsules flush mounted in a sphere. It worked similar to a dummy head stereo microphone, but was optimized for loudspeaker playback. Although technically excellent, it never caught on.

KU 100

仿真人头话筒

KU 100是一款仿真人头话筒，可通过头戴式耳机实现真正沉浸式双耳声听觉体验。虽然它只使用两个声道，但是其空间描绘呈现三维特性，而且具有令人震惊的逼真效果。

TLM 170 R

录音棚话筒

Ten years after its initial release the TLM 170 was updated with Neumann’s new remote switching technology. In the ‚R’ setting the directional pattern may be controlled from the PSU with no special multipin cables required.

TLM 193

录音棚话筒

TLM 193专注于对大多数家庭录音工作室的主要需求，采用无开关设计，具有固定的心形指向模式的经济型话筒。

KM 184 (Series 180)

小型话筒

KM 184是一款经典的小振膜电容话筒，拥有心形指向特性且不随频率变化而改变。作为KM 84的成功继任者，KM 184采用了电子平衡输出（无变压器），可以处理更高的声压级。

RSM 191 A Set

Stereo Shotgun Microphone

A stereo shotgun microphone for broadcast, film, and on-location applications. Like its predecessor the RSM 191 A operates in mid/side technique; the corresponding new MTX 191 A matrix box offered significantly enhanced features.

M 149 Tube

录音棚电子管话筒

M 149是诺音曼电子管话筒中断近30年后推出的重新推出的第一款话筒，其创新地将本底噪声极低的电子管电路和全球先进的无变压器输出级结合在一起而获得TEC大奖。

KM 120

Miniature Microphone

The KM 120 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 120 combines the KM 100 output stage with the figure-8 capsule AK 20.

TLM 103

录音棚话筒

TLM 103是诺音曼历史上最成功的话筒之一，上市以来迅速成为现代录音棚标杆产品，它的定位是一款物超所值的小U 87，只有7 dB-A本底噪声，也是最安静的话筒之一。

M 147 Tube

录音棚电子管话筒

M 147 电子管话筒重现20世纪50年代诺音曼电子管话筒的经典之声，采用了与传奇话筒U 47相同的话筒头及创新的无变压器电子管电路。

KM 183 (Series 180)

小型话筒

KM 183是一款经典的小振膜电容话筒，拥有全指向特性且不随频率变化而改变。作为KM 83的成功继任者，KM 183采用了电子平衡输出（无变压器），可以处理更高的声压级。

KM 185 (Series 180)

小型话筒

KM 185是一款经典的小振膜电容话筒，拥有超心形指向特性且不随频率变化而改变。KM 185的高指向性可以满足更高的拾音需求，例如鼓声拾音。

KMS 105

舞台话筒

KMS 105是一款用于舞台的录音棚级人声话筒，并兼有舞台话筒的所有优点：对喷口噪声有出色的防护、超低的触摸杂音、巨大的声压级承受能力以及较高的反馈抑制能力——这要得益于其指向特性稳定的超心形模式。

M 150 Tube

录音棚电子管话筒

M 150 Tube是一款基于诺音曼传奇话筒M 50的独特小振膜电容话筒，它的钛振膜话筒极头嵌装在小型球体的表面以增加在更高频率下的指向性，非常适合DECCA Tree立体声和环绕声录音

KK 105 S

话筒头 (SKM 5200/5000 N)

舞台上的诺音曼之声 - 有线变无线！KK 105 S是一款精密制造的真电容超心形话筒头，专为森海塞尔SKM 5000/5200手持发射器而设计。

BCM 104

广播话筒

BCM 104是一款用于广播播音员和DJ的专用广播话筒，以诺音曼的专业传递细腻的情感。优化设计的功能具有以下特征：集成的防喷网和专为语言播音而研发的防振大振膜电容话筒头。无变压器电路可以保证真实纯净的声音。

D-01

Digital Studio Microphone

A new milestone: The D-01 digital microphone is the flagship of Neumann’s Solution D technology ensuring unprecedented fidelity and an enormous dynamic range of 130 dB. All functions may be remote controlled via the AES 42 interface.

TLM 127

Studio Microphone

Designed as the bigger brother of the popular TLM 103, the TLM 127 offered additional functions such as pad and low cut and even remote controllable patterns using the patented technology Neumann had introduced ten years earlier with the TLM 170 R.

KK 104 S

话筒头 (SKM 5200/5000 N)

舞台上的诺音曼之声 - 有线变无线！KK 104 S是一款精密制造的真电容心形话筒头，专为森海塞尔SKM 5000/5200手持发射器而设计。

BCM 705

广播话筒

诺音曼首款动圈广播话筒，整个构造针对功能需求进行了优化，完美诠释细腻情感。

TLM 49 Set

录音棚话筒

TLM 49复刻了战后诺音曼经典产品的怀旧音色，将场效应晶体管（FET）技术再次呈现，其采用与诺音曼传奇话筒M 49完全相同话筒头，继承了电子管话筒在高声压级下的温润风格。

U 87 Anniversary Set

Studio Microphone

For its 40th anniversary the U 87 was offered as a special set in a unique retro style case. The microphone, its shock mount, and the exclusive 60s style pop shield featured an attractive combination of polished and matte nickel surfaces.

TLM 103 D

Digital Studio Microphone

灵感源于传奇话筒U 67,TLM 67是一款通用的录音棚话筒，具有三种指向性模式，其无变压器晶体管电路，在高声压级下可呈现电子管声音的特征。

TLM 67

录音棚话筒

KMS 104 plus话筒是心形舞台话筒KMS 104的特别版本，带有延伸的低音，为声音提供更多“温暖感”，非常受女歌手欢迎。

KK 184 + KM A

小型话筒

KMS 104 plus

舞台话筒

The KMS 104 plus is a special version of the popular KMS 104 cardioid stage microphone. A slight boost in the low frequencies gives the plus version more “warmth” and “weight”. The KMS 104 plus is particularly popular among female singers.

TLM 102

录音棚话筒

小工作室的大声音：TLM102是诺音曼迄今为止物超所值的大振膜话筒之一，秉承诺音曼纯正品质，德国制造。

KH 120 A G

双通道有源近场监听音箱

Starting with the KH 120 in 2010, Neumann offers his expertise in electro-acoustic transducer technologies to the studio monitoring market, and is now the perfect partner for both the front end and the back end of the audio signal path.

KMR 81 D

Digital Shotgun Microphone

The KMR 81 D is the digital version of Neumann’s shotgun microphone KMR 81 i for film dialog and broadcast applications with highest fidelity, thanks to Neumann’s Solution D technology. The KMR 81 D complies to the AES 42 standard for digital microphones.

KMS 104 D

Digital Stage Microphone

The KMS 104 D is the digital version of Neumann’s cardioid stage microphone KMS 104. Neumann’s Solution D technology ensures highest fidelity for a pristine studio grade vocal sound.

KMS 105 D

Digital Stage Microphone

The KMS 105 D is the digital version of Neumann’s supercardioid stage microphone KMS 105. Neumann’s Solution D technology ensures highest fidelity for a pristine studio grade vocal sound.

KH 810

7.1模拟低音管理的低音炮

The KH 810 is a subwoofer with a High Precision Bass Manager™ for stereo and surround setups up to 7.1. Thanks to the latest amplifier and acoustical components, the KH 810 achieves distortion-free bass extension down to 18 Hz.

KH 870

7.1低音管理的低音炮

The KH 870 is a subwoofer with a High Precision Bass Manager™ for stereo and surround setups up to 7.1. It offers the same precision as the KH 810 but with additional power for distortion-free bass reproduction even at highest SPLs.

KK 204

话筒头 (适用于森海塞尔无线系统)

舞台上的诺音曼之声—有线变无线！KK 204是一款适用于森海塞尔SKM 2000/6000/9000手持发射器和EW G4 300/500和EW-D无线系统的优质话筒头。

KH 310 A

三通道有源近场监听音箱

A high-resolution tri-amplified near-field monitor for editing, mixing, and mastering with confidence and precision. The KH 310 A offers the fastest transient response in its class, outstanding midrange detail, and a pleasantly dry low frequency reproduction.

KH 420

三通道有源中场监听音箱

A powerful tri-amplified midfield monitor for demanding engineers. The KH 410 combines enormous SPL capability with a low frequency reproduction that extends down to 26 Hz.

TLM 107

录音棚话筒

TLM107是一款用于人声和乐器拾音的大振膜话筒，具有五种方向模式。多个预衰减和低切功能，适用于多种场景应用。

U 47 fet i

录音棚话筒

作为传奇U47 tube的继任者，U47 fet其本身就为了诺音曼的经典之作，流畅而华丽的特质塑造了70年代的声音理念。 应大众需求，U 47 fet在2014年重返市场。

KH 805

Subwoofer with 2.0/0.1 Bass Management

A budget friendly stereo version of the reknowned KH 810 subwoofer. The KH 805 offers low frequency extension down to 18 Hz and features a bypassable 2.1/0.1 bass manager which enables it to be used in many different applications.

KH 80 DSP A G

双通道有源近场监听音箱

Neumanns first DSP-controlled studio monitor. Despite its small size, the KH 80 DSP achieves reference class sound. Its DSP engine allows for FIR phase correction as well as a room alignment using the Neumann.Control App.

U 67 Set

录音棚电子管话筒

定义上世纪六十年代声音的电子管话筒，经典回归！

KH 750 DSP

2.0/2.1低音管理的低音炮

Compact DSP-controlled closed cabinet subwoofer. It is the ideal choice for smaller rooms and smaller studio monitors, such as the KH 80 DSP.

NDH 20

录音棚耳机

诺音曼首款高品质封闭式录音棚耳机，用于监听、编辑和混音

MA 1

MA 1 - 自动监听音箱校准工具

诺音曼自动监听校准话筒MA 1可确保从家庭录音棚到专业录音棚，在任何房间内都能获得最佳音质。 使用单独校准的测量话筒，您可以按照指导流程，分析声学环境。

V 402

双通道话筒前置放大器

带有耳机监听功能的最新话筒前置放大器

KH 750 AES67

AES67 Subwoofer with 2.0/0.1 Bass Management

KH 150

两路近场监听音箱

DSP 驱动的双功放录音棚监听音箱，具有深沉的低音响应和出色的分辨率。

KH 150 AES67

Two Way Nearfield Monitor

DSP-powered, bi-amplified studio monitor with deep bass response and outstanding resolution. AES67.

M 49 V 套装

可远程切换极性的录音棚电子管话筒

上世纪五六十年代的传奇电子管话筒终于重新上市。原汁原味。

Miniature Clip Mic System MCM

微型夹式话筒

真正的诺音曼音质，适合在现场应用场合中进行原声乐器的近距离收音。

NDH 20 Black Edition

Studio Headphone

NDH 30

录音棚耳机

参考级、开放式的录音棚耳机，适用于编辑、混音和母带制作

KH 120 II

KH 120 II AES67

MT 48

Audio Interface

诺音曼品质的高品质音频接口，提供直观的触摸屏控制体验

NDH 30 Black Edition

Open-back studio headphone

Reference-class open-back studio headphone for editing, mixing, and mastering