[0:00] In this tutorial series, we look into the essentials of how to make you and your orchestral instrument sound and look better. In this episode, we focus on recording the timpani. Timpani have a huge dynamic range and belong to the loudest instruments of the orchestra. The sound consists of the initial impact noise, harmonic components, and a pitch impression that can reach as low as D1 at 37 Hertz. The sound radiates upwards and sideways from the head, while the kettle directs some of the sound toward the floor. 

[1:06] (Instrument plays) 

[1:14] As a good starting point, place the microphones about 2 to 2.5 meters away from the timpani and 2 to 2.5 meters up, pointing down at the membrane or between two timpani. Aim for a good balance between the tone, the attack noise, and the sound of the room. If you want more tone, you can lower the microphones. Optionally, angle the microphones outward for a wider sound picture. 

[2:16] (Instrument plays) 

Place the microphones around 2 to 2.5 metres away and 2 to 2.5 metres above the instrument to capture a balanced blend of tone, attack, and room sound. 

Lowering the microphones can help emphasize the tone of the drums while reducing the prominence of the initial attack.

Angling the microphones slightly outward can produce a wider and more spacious stereo sound. 

Timpani have an extremely wide dynamic range and produce a combination of attack noise, harmonic content, and deep low frequencies that must be balanced carefully.