Neumann History Products

Product
CMV 3
First Condenser Microphone

The 'Neumann Bottle', the first ever mass produced condenser microphone. Diameter: 9 cm, height: 40 cm, weight: 3 kg. Telefunken, a subsidiary of AEG, took on the marketing rights to this Neumann microphone.
CMV 3MM 2
Measuring Microphone

Neumann’s first measurement microphone. Its tube amplifier was based on the U 47’s, but instead of a large diaphragm capsule it used a tiny high-precision condenser capsule on a long neck to avoid reflections from the microphone body.
MM 2U 47
Switchable Condenser Microphone

The first switchable pattern condenser microphone. It has been used in countless famous recordings. Maybe the most popular Neumann microphone – A Legend.
U 47M 50
Condenser Microphone (omni)

The M 50 was instrumental in developing the Decca tree recording technique. The open mesh headbasket houses a small diaphragm capsule flush mounted in a small sphere. Its unique acoustic properties are ideally suited to orchestral recordings.
M 50M 49
Remote Switchable Condenser Microphone

The M 49 was the first studio microphone with a continuously variable directional pattern. It used the same large diaphragm capsule as the U 47 and ranks among the most sought-after tube microphones of all time. In 2022 it was reissued by Neumann as the M 49 V Set.
M 49KM 53
Miniature Microphone

Neumann’s first small diaphragm studio microphone. The KM 53 was a pressure transducer with an ultra-thin metal diaphragm. Like all microphones of its time, it operated with tube electronics.
KM 53MM 3
Measuring Microphone

The MM 3 was a high-precision measurement microphone, much like its predecessor, the MM 2, but with updated tube electronics.
MM 3KM 54
Miniature Microphone

The KM 54 was the cardioid counterpart to the omnidirectional small diaphragm microphone KM 53, introduced the previous year. The KM 54 featured an ultra-thin metal diaphragm and tube electronics.
KM 54KM 56
Switchable Miniature Microphone

Neumann’s first small diaphragm microphone with selectable directional patterns (omni, cardioid, figure-8). Due to its complexity on a small footprint the KM 56 ranked among the most expensive microphones of its era.
KM 56SM 2
Stereo Microphone

Neumann’s first stereo microphone. With its two independently switchable small diaphragm systems (omni, cardioid, figure-8) the SM 2 allowed for all kinds of coincidental stereo recording techniques.
SM 2U 48
Switchable Condenser Microphone

The U 48 was a special variant of Neumann’s flagship studio microphone, the U 47. Instead of cardiod and omni patterns the U 48 offered cardioid and figure-8.
U 48MM 5
Measuring Microphone

The MM 5 was an update on Neumann’s previous measurement microphones MM 2 and MM 3 with lower noise electronics, but still tube-based. The MM 5 was to remain the last measurement microphone produced by Neumann.
MM 5U 67 (1960)
Switchable Condenser Microphone

The U 67 tube microphone was the quintessential studio workhorse throughout the formative years of modern music. Today, more than ever, its inimitably smooth sound continues to be in high demand. In 2018, it was reissued by Neumann as the U 67 set.
U 67 (1960)KM 254
Miniature Microphon (HF proof)

A special version of the cardioid small diaphragm microphone KM 54 for the broadcast industry. For increased RF-immunity the KM 254 was fitted with a different plug.
KM 254KM 253
Miniature Microphone (HF proof)

A special version of the omnidirectional small diaphragm microphone KM 53 for the broadcast industry. For increased RF-immunity the KM 253 was fitted with a new, larger plug.
KM 253KM 256
Miniature Microphone (HF proof)

A special version of Neumann’s flagship small diaphragm microphone KM 56 with switchable patterns (omni, cardioid, figure-8). As requested by the broadcast industry, the KM 256 was fitted with a different plug for increased RF-immunity.
KM 256SM 23 c
Stereo Microphone

An updated version of Neumann’s stereo microphone SM 2. Like its predecessor the SM 23 has two small diaphragm systems with selectable polar patterns. The upper system may be rotated to allow for XY, MS, and Blumlein stereo techniques.
SM 23 cM 269 c
Switchable Condenser Microphone

The M 269 c was a special version of the U 67 for the German broadcast industry, which insisted on the use of the AC 701 tube (instead of the EF 86 used in the U 67).
M 269 cSM 69
Stereo Microphone

Neumann’s first large diaphragm stereo microphone SM 69 was still tube based. Polar patterns were selectable for each capsule individually via the power supply.
SM 69U 64
Miniature Microphone

The U 64 was a variant of the KM 64 small diaphragm microphone. Instead of the Telefunken AC 701, which was not as easily available in non-European countries, the U 64 used a tiny nuvistor tube.
U 64KM 64
Miniature Microphone

The KM 64 was the successor to Neumann’s KM 54 small diaphragm cardioid microphone. It still used an AC 701 tube circuit, but its capsule was a new design with a Mylar diaphragm.
KM 64SRM 64
Long Neck Stage Microphone

A long neck stage microphone for speeches and presentations. The SRM 64 consisted of a cardioid condenser capsule and a tube amplifier, hidden in the lower part of the stand tube.
SRM 64KTM
Transistor Microphone for Modulation Lead Powering

Neumann’s first solid state microphone. The KTM was a small diaphragm microphone using the same capsule as the KM 64. The KTM was soon replaced with the KM 74, which was almost identical except for a smaller body diameter.
KTMKM 84
Miniature Microphone for Phantom Powering

The small diaphragm cardioid microphone KM 84 was built until 1992 and remains one of the most popular Neumann classics. Its even frequency response and consistent pickup pattern make it a sought-after microphone for all genres.
KM 84KM 73
Miniature Microphone for Modulation Lead Powering

The KM 73 was an omnidirectional small diaphragm microphone with solid state electronics. It was powered via T-power, P48 phantom power had not yet been invented.
KM 73KML
Clip-on Microphone

Neumann’s first Lavalier microphone. Its solid state amplifier could be battery powered and used with wireless transmitters of the day, such as the Sennheiser SK 1007.
KMLKM 85
Miniature Microphone for Phantom Powering

The KM 85 was a cardioid microphone like the KM 84 but with a low cut built into the capsule to compensate for the proximity effect. The KM 85 was thus optimized for short distances as are typical in speech applications.
KM 85KM 75
Miniature Microphone for Modulation Lead Powering

The KM 75 was a cardioid microphone for short distances, e.g. in speech applications. Its capsule had a built-in low cut to compensate for the proximity effect. Like all KM 70 microphones, the KM 75 was T-powered.
KM 75KM 83
Miniature Microphone for Phantom Powering

The KM 83 was the omnidirectional model of the KM 80 series, which introduced a technology, which, due to its many advantages, soon became the new standard: P48 phantom power.
KM 83KM 66
Switchable Miniature Microphone

The KM 66 was a small diaphragm microphone with switchable patterns similar to the KM 56 but with two cardioid capsules with mylar diaphragms. The KM 66 was to remain Neumann’s last tube microphone design for almost 30 years.
KM 66KM 74
Miniature Microphone for Modulation Lead Powering

The KM 74 the successor to the KTM, Neumann’s first transistorized microphone. It used the same cardioid capsule as the KM 64 and KM84, but the grounding scheme of its T-powered circuit necessitated a different capsule head design.
KM 74U 87 i
Switchable Studio Microphone

The Neumann U 87 is probably the best-known and most frequently used studio microphone the world over. Its smooth and refined sound is as iconic as its elegant exterior design. The U 87 is the standard microphone for speech and vocals.
U 87 iKM 76
Switchable Miniature Microphone

The KM 76 was the solid state successor to the KM 66 small diaphragm tube microphone. The KM 76 offered switchable patterns (omni, cardioid, figure-8) and operated T-powered.
KM 76U 77
Switchable Studio Microphone (Mod. Lead Powering)

Like the U 87, the U 77 was a solid state successor to Neumann’s classic tube microphone U 67. But instead of phantom power – which was not yet a studio standard – the U 77 operated on T-power.
U 77KMA (1968)
Clip-on Microphone

The KMA (not to be confused with today’s KM A modular microphone system!) was an improved Lavalier microphone with an omnidirectional capsule and a detached amplifier. It ran on batteries or phantom power.
KMA (1968)KM 86
Switchable Miniature Microphone

Like the KM 76, the KM 86 was a transistorized successor to the KM 66 small diaphragm tube microphone. The KM 86, however, was developed for P48 phantom power, introduced a few years earlier by Neumann – and soon the world standard.
KM 86KM 88
Switchable Miniature Microphone

The KM 88 was a multipattern small diaphragm microphone (omni, cardioid, figure-8) with FET electronics, similar to the KM 86. However, it used the same nickel capsules previously found in the KM 56 tube microphone.
KM 88SM 69 fet
Stereo Microphone (Transistor)

With the beginning of the new decade, Neumann’s large diaphragm stereo microphone SM 69, too, was converted to solid state electronics. Nonetheless it still required a dedicated power supply due to its remote pattern control.
SM 69 fetSRM 84
Long Neck Stage Microphone

The successor to the SRM 64 long neck stage microphone. Instead of a tube amplifier the SRM 84 had a solid state circuit hidden in the lower part of the stand tube.
SRM 84KMS 85
Handheld Microphone

Neumann’s first handheld vocal microphone had an unusual shape, but it proved that clever engineering could render condenser microphones stage-ready.
KMS 85U 47 fet (1972)
Studio Microphone

By the early 70s Neumann’s tube microphone U 47 was legendary among seasoned engineers, and many wished for a direct solid state successor. The U 47 fet never quite filled those giant footprints, but was eventually (re)discovered as a classic in its own right.
U 47 fet (1972)KU 80
Dummy Head

In the early 70s people began to think beyond stereo. Neumann’s first dummy head microphone KU 80 was able to capture a realistic, three-dimensional sound image for headphone playback.
KU 80QM 69
Quadrophonic Microphone

In the mid-70s quadraphonic sound became popular among hi-fi enthusiasts. The Neumann QM 69 was a variant of the SM 69 fet with four separate outputs for each half of the two dual diaphragm capsules.
QM 69U 497
Studio Microphone

A microphone specially made for the French broadcasting network ORTF. The U 497 featured a K47 capsule and a sophisticated solid state circuit, similar to that of the U 47 fet, but adapted to French radio’s 12V-powering system.
U 497KMS 84
Handheld Microphone

Neumann’s second attempt at a stage microphone looked considerably more handsome than the KMS 85 introduced a few years earlier. The KMS 84 used the same capsule as the KM 84 in a newly designed headbasket with excellent pop protection.
KMS 84KMR 82 i
Micrófono Shotgun

El primer micrófono shotgun de Neumann se diseñó con gran atención a una respuesta uniforme fuera del eje para minimizar la coloración del sonido no deseada. ¡El KMR 82 i todavía está en producción!
KMR 82 iUSM 69 i
Micrófono Estéreo

El USM 69 i es una versión actualizada del micrófono estéreo de diafragma grande SM 69 fet de Neumann. Gracias a sus controles de patrón integrados, el USM 69 i ya no requiere una fuente de alimentación dedicada, pero puede funcionar con alimentación fantasma (phantom power).
USM 69 iU 89 i
Microfono de estudio

Diseñado como sucesor del U 87, el U 89 finalmente fue reconocido como un micrófono Neumann clásico por derecho propio. El U 89 luce una cápsula de doble diafragma completamente nueva con un sonido consistentemente lineal en cinco patrones de captación.
U 89 iKMF 4 i
Miniature Microphone

A miniature microphone with a detached amplifier. Its visually unobtrusive cardioid capsule had a diameter of only 17 mm. The KMF 4 i could operate on phantom power or batteries.
KMF 4 iKU 81
Dummy Head

While older dummy head microphones created a stunningly realistic sound image when played back over headphones, loudspeaker playback was unsatisfactory. The KU 81 cured this with capsules equalized for the diffuse-field.
KU 81TLM 170
Transformerless, switchable Studio Microphone

With the TLM 170 Neumann brought the first transformerless microphone onto the market. The absence of transformers makes the sound more transparent and open.
TLM 170KMR 81 i
Micrófono Shotgun

Un micrófono shotgun corto, diseñado principalmente para diálogos de películas. Al igual que su hermano mayor, el KMR 82 i, ¡el KMR 81 i todavía está en producción!
KMR 81 iU 87 Ai
Micrófono de estudio

Comparado con el U 87 i, el U 87 Ai tiene cambios menores en la electrónica: mayor seguridad operativa, mayor factor de transmisión, mejor relación S / N, suministro de batería interno omitido.
U 87 AiRSM 190 i
First Stereo Shotgun Microphone

A stereo shotgun microphone with external matrix box. The RSM 190 i was a mid/side microphone with the shotgun part delivering the M-component and a second figure-8 capsule system, angled 90 degrees, providing the S-component.
RSM 190 iKM 130
Miniature Microphone

The KM 130 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 130 combines the KM 100 output stage with the diffuse-field equalized omni capsule AK 30.
KM 130KM 143
Miniature Microphone

The KM 143 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 143 combines the KM 100 output stage with the wide cardioid capsule AK 43.
KM 143KM 140
Miniature Microphone

The KM 140 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 140 combines the KM 100 output stage with the cardioid capsule AK 40.
KM 140KM 145
Miniature Microphone

The KM 145 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 145 combines the KM 100 output stage with the cardioid capsule AK 45, whose built-in low cut compensates the proximity effect.
KM 145KM 150
Miniature Microphone

The KM 150 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 150 combines the KM 100 output stage with the hypercardioid capsule AK 50.
KM 150KM 131
Miniature Microphone

The KM 131 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 131 combines the KM 100 output stage with the free-field equalized omni capsule AK 31.
KM 131TLM 50
Pressure Microphone

The TLM 50 revived the unique capsule technology of the classic Neumann M 50 of the 1950s and combined it with a cutting edge transformerless head amplifier for lowest noise and distortion.
TLM 50GFM 132
Boundary Layer Microphone

Neumann’s first and only boundary layer microphone. The GFM 132 was designed using computer simulations: The unique shape of the base plate avoids comb filter effects.
GFM 132KMS 150
Handheld Microphone

A handheld condenser microphone for pristine vocals on stage. The KMS 150 (hypercardioid) was the precursor to today’s very successful KMS 105.
KMS 150KMS 140
Handheld Micropohne

A handheld condenser microphone for pristine vocals on stage. The KMS 140 (cardioid) was the precursor to today’s very successful KMS 104.
KMS 140KFM 100
Spherical-Surface Stereo Microphone

The spherical surface microphone KFM 100 had two omni capsules flush mounted in a sphere. It worked similar to a dummy head stereo microphone, but was optimized for loudspeaker playback. Although technically excellent, it never caught on.
KFM 100KU 100
Dummy Head

El nuevo y mejorado micrófono de cabeza simulada KU 100 ofrece una experiencia de sonido verdaderamente envolvente para producciones de música y drama. También se utiliza para aplicaciones industriales.
KU 100TLM 193
Micrófono de estudio

Al centrarse en las características esenciales que son importantes para la mayoría de los usuarios de grabación en el hogar, Neumann pudo ofrecer el TLM 193, un micrófono cardioide para presupuestos más pequeños en esta área cada vez más grande.
TLM 193TLM 170 R
Micrófono de estudio

Diez años después de su lanzamiento inicial, el TLM 170 se actualizó con la nueva tecnología de conmutación remota de Neumann. En la configuración "R", el patrón direccional se puede controlar desde la fuente de alimentación sin necesidad de cables multipin especiales.
TLM 170 RRSM 191 A Set
Stereo Shotgun Microphone

A stereo shotgun microphone for broadcast, film, and on-location applications. Like its predecessor the RSM 191 A operates in mid/side technique; the corresponding new MTX 191 A matrix box offered significantly enhanced features.
RSM 191 A SetKM 184 (Series 180)
Micrófono miniatura

Un micrófono de diafragma pequeño de clase de referencia con un patrón cardioide constante, independiente de la frecuencia. El KM 184 es el sucesor del clásico KM 84 y puede manejar SPL mucho más altos, gracias a su etapa de salida sin transformador.
KM 184 (Series 180)M 149 Tube
Micrófono tubular para estudio

El primer micrófono de tubo de Neumann después de una pausa de casi 30 años. El M 149 recibió un premio TEC por su combinación innovadora de un circuito de válvulas (sorprendentemente bajo en ruido) con una etapa de salida sin transformador de última generación.
M 149 TubeKM 120
Miniature Microphone

The KM 120 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 120 combines the KM 100 output stage with the figure-8 capsule AK 20.
KM 120TLM 103
Micrófono de estudio

Concebido como una alternativa asequible al venerable U 87, el TLM 103 se ha convertido desde entonces en un estándar de estudio moderno. Con un ruido propio de solo 7 dB-A, el TLM 103 es uno de los micrófonos más silenciosos disponibles.
TLM 103M 147 Tube
Micrófono de válvula de estudio

El M 147 Tube recupera el sonido clásico de los famosos micrófonos de tubo de Neumann de la década de 1950. Utiliza la misma cápsula que el legendario U 47 combinada con un innovador circuito de válvulas sin transformador.
M 147 TubeKM 183 (Series 180)
Micrófono miniatura

Un micrófono de diafragma pequeño de clase de referencia con un patrón omnidireccional consistente, independiente de la frecuencia. El KM 183 es el sucesor del clásico KM 83 y puede manejar SPL mucho más altos, gracias a su etapa de salida sin transformador.
KM 183 (Series 180)KM 185 (Series 180)
Micrófono miniatura

Un micrófono de diafragma pequeño de clase de referencia con un patrón hipercardioide constante, independiente de la frecuencia. Su alta directividad hace del KM 185 un excelente solucionador de problemas para aplicaciones exigentes como la grabación de batería.
KM 185 (Series 180)KMS 105
Micrófono de escenario

El KMS 105 es un micrófono vocal de estudio con todas las virtudes de un micrófono de escenario resistente: excelente protección contra pop, bajo ruido de manejo, enorme capacidad SPL y alta resistencia a la retroalimentación, gracias a su patrón supercardioide ajustado.
KMS 105M 150 Tube
Micrófono tubular de estudio

Un micrófono de tubo omnidireccional único, basado en el legendario Neumann M 50 de la década de 1950. Su cápsula de titanio está montada al ras en una pequeña esfera para aumentar la directividad a frecuencias más altas, ideal para las técnicas DECCA Tree.
M 150 TubeKK 105 S
Cabezal de micrófono

Sonido Neumann en el escenario - ¡inalámbrico! El cabezal de cápsula KK 105 S utiliza una cápsula cardioide de condensador verdadero fabricado con precisión y está especialmente diseñado para los transmisores de mano Sennheiser SKM 5000/5200.
KK 105 SD-01
Digital Studio Microphone

A new milestone: The D-01 digital microphone is the flagship of Neumann’s Solution D technology ensuring unprecedented fidelity and an enormous dynamic range of 130 dB. All functions may be remote controlled via the AES 42 interface.
D-01TLM 127
Studio Microphone

Designed as the bigger brother of the popular TLM 103, the TLM 127 offered additional functions such as pad and low cut and even remote controllable patterns using the patented technology Neumann had introduced ten years earlier with the TLM 170 R.
TLM 127BCM 104
Micrófono de Broadcast

El BCM 104 es un micrófono de broadcast especialmente diseñado para locutores de radio y DJs, creado para comunicar emoción con la perfección característica de Neumann. Su diseño funcionalmente optimizado cuenta con una cápsula condensadora de diafragma grande, especialmente diseñada para discurso. Además, tiene integradas una pantalla contra viento y una montura contra choques. El circuito sin transformador asegura un sonido directo y libre de ruido exterior.
BCM 104KK 104 S
Cabeza de micrófono (SKM 5200/5000 N)

Sonido Neumann en el escenario - ¡inalámbrico! El cabezal de cápsula KK 104 S utiliza una cápsula cardioide de condensador verdadero fabricado con precisión y está especialmente diseñado para los transmisores de mano Sennheiser SKM 5000/5200.
KK 104 SBCM 705
Micrófono de Broadcast

El BCM 705 es un micrófono de bajo costo para broadcast pensado para aplicaciones de discurso en estudios. Su diseño funcionalmente optimizado presenta una suspensión elástica. El primer micrófono de Neumann con cápsula dinámica.
BCM 705TLM 49 Set
Micrófono de estudio

El sonido de los clásicos vintage de Neumann, recreado con circuitos FET sin problemas. El TLM 49 utiliza la misma cápsula y el mismo diseño icónico de la rejilla de la cabeza que el legendario M 49. Como un micrófono de tubo, el TLM 49 produce una saturación suave con SPL más altos.
TLM 49 SetU 87 Anniversary Set
Studio Microphone

For its 40th anniversary the U 87 was offered as a special set in a unique retro style case. The microphone, its shock mount, and the exclusive 60s style pop shield featured an attractive combination of polished and matte nickel surfaces.
U 87 Anniversary SetTLM 67
Micrófono de estudio

El KMS 104 plus es una versión especial del popular micrófono de escenario cardioide KMS 104. Un ligero aumento en las frecuencias bajas le da a la versión plus más "calidez" y "peso". El KMS 104 plus es particularmente popular entre las cantantes.
TLM 67TLM 103 D
Digital Studio Microphone

The digital version of Neumann’s acclaimed TLM 103 large diaphragm condenser microphone. The TLM 103 D uses Neumann’s Solution D converter technology ensuring highest fidelity with an enormous dynamic range of 130 dB.
TLM 103 DKMS 104 plus
Micrófono de escenario

The KMS 104 plus is a special version of the popular KMS 104 cardioid stage microphone. A slight boost in the low frequencies gives the plus version more “warmth” and “weight”. The KMS 104 plus is particularly popular among female singers.
KMS 104 plusTLM 102
Micrófono de estudio

Big sound for small studios: The TLM 102 is Neumann’s most affordable large diaphragm condenser microphone to date. Nonetheless it offers true Neumann quality, made in Germany.
TLM 102KMR 81 D
Digital Shotgun Microphone

The KMR 81 D is the digital version of Neumann’s shotgun microphone KMR 81 i for film dialog and broadcast applications with highest fidelity, thanks to Neumann’s Solution D technology. The KMR 81 D complies to the AES 42 standard for digital microphones.
KMR 81 DKH 120 A G
Two Way Nearfield Monitor

Starting with the KH 120 in 2010, Neumann offers his expertise in electro-acoustic transducer technologies to the studio monitoring market, and is now the perfect partner for both the front end and the back end of the audio signal path.
KH 120 A GKMS 104 D
Digital Stage Microphone

The KMS 104 D is the digital version of Neumann’s cardioid stage microphone KMS 104. Neumann’s Solution D technology ensures highest fidelity for a pristine studio grade vocal sound.
KMS 104 DKMS 105 D
Digital Stage Microphone

The KMS 105 D is the digital version of Neumann’s supercardioid stage microphone KMS 105. Neumann’s Solution D technology ensures highest fidelity for a pristine studio grade vocal sound.
KMS 105 DKH 810
Subwoofer con gestión de graves 7.1

The KH 810 is a subwoofer with a High Precision Bass Manager™ for stereo and surround setups up to 7.1. Thanks to the latest amplifier and acoustical components, the KH 810 achieves distortion-free bass extension down to 18 Hz.
KH 810KH 870
Subwoofer con gestión de graves 7.1

The KH 870 is a subwoofer with a High Precision Bass Manager™ for stereo and surround setups up to 7.1. It offers the same precision as the KH 810 but with additional power for distortion-free bass reproduction even at highest SPLs.
KH 870KK 204
Cabeza de micrófono (para sistemas inalámbricos Sennheiser)

Sonido Neumann en el escenario - ¡inalámbrico! La cabeza de cápsula KK 204 utiliza una cápsula cardioide de condensador verdadero fabricado con precisión y está especialmente diseñado para transmisores de mano Sennheiser SKM 2000/6000/9000, sistemas inalámbricos EW G4 300/500 y EW-D.
KK 204KH 310 A
Monitor Nearfield de Tres Vías

A high-resolution tri-amplified near-field monitor for editing, mixing, and mastering with confidence and precision. The KH 310 A offers the fastest transient response in its class, outstanding midrange detail, and a pleasantly dry low frequency reproduction.
KH 310 AKH 420
Monitor midfield de tres vías

A powerful tri-amplified midfield monitor for demanding engineers. The KH 410 combines enormous SPL capability with a low frequency reproduction that extends down to 26 Hz.
KH 420U 47 fet i
Micrófono de estudio

Presentado como sucesor del legendario micrófono de tubo U 47, el U 47 fet se convirtió en un clásico de Neumann por derecho propio. Su carácter suave pero definido dio forma al sonido de los años 70. Desde 2014 está disponible nuevamente.
U 47 fet iTLM 107
Micrófono de Estudio

El nuevo caballo de batalla del estudio. El TLM 107 es un micrófono de diafragma grande de última generación con sonido de alta definición en cinco patrones direccionales. Los ajustes variables de pad y low cut y un enorme rango dinámico lo hacen adaptable a cualquier aplicación.
TLM 107KH 805
Subwoofer with 2.0/0.1 Bass Management

A budget friendly stereo version of the reknowned KH 810 subwoofer. The KH 805 offers low frequency extension down to 18 Hz and features a bypassable 2.1/0.1 bass manager which enables it to be used in many different applications.
KH 805KH 80 DSP A G
Monitor nearfield de dos vías

Neumanns first DSP-controlled studio monitor. Despite its small size, the KH 80 DSP achieves reference class sound. Its DSP engine allows for FIR phase correction as well as a room alignment using the Neumann.Control App.
KH 80 DSP A GU 67 Set
Micrófono tubular de estudio

El micrófono de tubo que definió el sonido de la década de 1960. ¡Vuelve el original!
U 67 SetNDH 20
Audífonos de Estudio

Los primeros audífonos de Neumann - Audífonos premium cerrados de calidad estudio para monitorear, editar y mezclar.
NDH 20KH 750 DSP
Subwoofer with 2.0/0.1 Bass Management

Compact DSP-controlled closed cabinet subwoofer. It is the ideal choice for smaller rooms and smaller studio monitors, such as the KH 80 DSP.
KH 750 DSPV 402
Preamplificador de micrófono de doble canal

Un preamplificador de micrófono de última generación con monitorización de auriculares integrada.
V 402Miniature Clip Mic System MCM
Miniature Clip Microphone

True Neumann sound for close miking acoustic instruments in live applications.
Miniature Clip Mic System MCMNDH 30
Studio Headphone

Reference-class open-back studio headphone for editing, mixing, and mastering
NDH 30M 49 V Set
Remote Switchable Studio Tube Microphone

The legendary tube microphone of the 1950s and 60s is finally available again. In the original.
M 49 V SetKH 150
Two Way Nearfield Monitor

DSP-powered, bi-amplified studio monitor with deep bass response and outstanding resolution.
KH 150
1928
CMV 3

1949
MM 2

1949
U 47

1951
M 50

1951
M 49

1953
KM 53

1954
MM 3

1954
KM 54

1955
KM 56

1957
SM 2

1957
U 48

1959
MM 5

1960
U 67 (1960)

1960
KM 254

1960
KM 253

1960
KM 256

1961
SM 23 c

1962
M 269 c

1964
SM 69

1964
U 64

1964
KM 64

1964
SRM 64

1965
KTM

1966
KM 84

1966
KM 73

1966
KML

1966
KM 85

1966
KM 75

1966
KM 83

1966
KM 66

1966
KM 74

1967
U 87 i

1967
KM 76

1968
U 77

1968
KMA (1968)

1968
KM 86

1969
KM 88

1970
SM 69 fet

1971
SRM 84

1971
KMS 85

1972
U 47 fet (1972)

1973
KU 80

1974
QM 69

1975
U 497

1977
KMS 84

1978
KMR 82 i

1979
USM 69 i

1980
U 89 i

1982
KMF 4 i

1982
KU 81

1983
TLM 170

1983
KMR 81 i

1986
U 87 Ai

1987
RSM 190 i

1988
KM 130

1988
KM 143

1988
KM 140

1988
KM 145

1988
KM 150

1988
KM 131

1990
TLM 50

1990
GFM 132

1991
KMS 150

1991
KMS 140

1992
KFM 100

1992
KU 100

1993
TLM 193

1993
TLM 170 R

1994
RSM 191 A Set

1994
KM 184 (Series 180)

1995
M 149 Tube

1997
KM 120

1997
TLM 103

1998
M 147 Tube

1999
KM 183 (Series 180)

1999
KM 185 (Series 180)

1999
KMS 105

2000
M 150 Tube

2002
KK 105 S

2003
D-01

2003
TLM 127

2003
BCM 104

2004
KK 104 S

2005
BCM 705

2006
TLM 49 Set

2007
U 87 Anniversary Set

2008
TLM 67

2008
TLM 103 D

2009
KMS 104 plus

2009
TLM 102

2010
KMR 81 D

2010
KH 120 A G

2010
KMS 104 D

2010
KMS 105 D

2011
KH 810

2011
KH 870

2012
KK 204

2013
KH 310 A

2014
KH 420

2014
U 47 fet i

2014
TLM 107

2015
KH 805

2017
KH 80 DSP A G

2018
U 67 Set

2019
NDH 20

2019
KH 750 DSP

2020
V 402

2021
KH 750 AES67

2022
Miniature Clip Mic System MCM

2022
NDH 30

2022
M 49 V Set

2022
KH 150