CMV 3

First Condenser Microphone

The 'Neumann Bottle', the first ever mass produced condenser microphone. Diameter: 9 cm, height: 40 cm, weight: 3 kg. Telefunken, a subsidiary of AEG, took on the marketing rights to this Neumann microphone.

MM 2

Measuring Microphone

Neumann’s first measurement microphone. Its tube amplifier was based on the U 47’s, but instead of a large diaphragm capsule it used a tiny high-precision condenser capsule on a long neck to avoid reflections from the microphone body.

U 47

Switchable Condenser Microphone

The first switchable pattern condenser microphone. It has been used in countless famous recordings. Maybe the most popular Neumann microphone – A Legend.

M 50

Condenser Microphone (omni)

The M 50 was instrumental in developing the Decca tree recording technique. The open mesh headbasket houses a small diaphragm capsule flush mounted in a small sphere. Its unique acoustic properties are ideally suited to orchestral recordings.

M 49

Remote Switchable Condenser Microphone

The M 49 was the first studio microphone with a continuously variable directional pattern. It used the same large diaphragm capsule as the U 47 and ranks among the most sought-after tube microphones of all time. In 2022 it was reissued by Neumann as the M 49 V Set.

KM 53

Miniature Microphone

Neumann’s first small diaphragm studio microphone. The KM 53 was a pressure transducer with an ultra-thin metal diaphragm. Like all microphones of its time, it operated with tube electronics.

MM 3

Measuring Microphone

The MM 3 was a high-precision measurement microphone, much like its predecessor, the MM 2, but with updated tube electronics.

KM 54

Miniature Microphone

The KM 54 was the cardioid counterpart to the omnidirectional small diaphragm microphone KM 53, introduced the previous year. The KM 54 featured an ultra-thin metal diaphragm and tube electronics.

KM 56

Switchable Miniature Microphone

Neumann’s first small diaphragm microphone with selectable directional patterns (omni, cardioid, figure-8). Due to its complexity on a small footprint the KM 56 ranked among the most expensive microphones of its era.

SM 2

Stereo Microphone

Neumann’s first stereo microphone. With its two independently switchable small diaphragm systems (omni, cardioid, figure-8) the SM 2 allowed for all kinds of coincidental stereo recording techniques.

U 48

Switchable Condenser Microphone

The U 48 was a special variant of Neumann’s flagship studio microphone, the U 47. Instead of cardiod and omni patterns the U 48 offered cardioid and figure-8.

MM 5

Measuring Microphone

The MM 5 was an update on Neumann’s previous measurement microphones MM 2 and MM 3 with lower noise electronics, but still tube-based. The MM 5 was to remain the last measurement microphone produced by Neumann.

U 67 (1960)

Switchable Condenser Microphone

The U 67 tube microphone was the quintessential studio workhorse throughout the formative years of modern music. Today, more than ever, its inimitably smooth sound continues to be in high demand. In 2018, it was reissued by Neumann as the U 67 set.

KM 254

Miniature Microphon (HF proof)

A special version of the cardioid small diaphragm microphone KM 54 for the broadcast industry. For increased RF-immunity the KM 254 was fitted with a different plug.

KM 253

Miniature Microphone (HF proof)

A special version of the omnidirectional small diaphragm microphone KM 53 for the broadcast industry. For increased RF-immunity the KM 253 was fitted with a new, larger plug.

KM 256

Miniature Microphone (HF proof)

A special version of Neumann’s flagship small diaphragm microphone KM 56 with switchable patterns (omni, cardioid, figure-8). As requested by the broadcast industry, the KM 256 was fitted with a different plug for increased RF-immunity.

SM 23 c

Stereo Microphone

An updated version of Neumann’s stereo microphone SM 2. Like its predecessor the SM 23 has two small diaphragm systems with selectable polar patterns. The upper system may be rotated to allow for XY, MS, and Blumlein stereo techniques.

M 269 c

Switchable Condenser Microphone

The M 269 c was a special version of the U 67 for the German broadcast industry, which insisted on the use of the AC 701 tube (instead of the EF 86 used in the U 67).

SM 69

Stereo Microphone

Neumann’s first large diaphragm stereo microphone SM 69 was still tube based. Polar patterns were selectable for each capsule individually via the power supply.

U 64

Miniature Microphone

The U 64 was a variant of the KM 64 small diaphragm microphone. Instead of the Telefunken AC 701, which was not as easily available in non-European countries, the U 64 used a tiny nuvistor tube.

KM 64

Miniature Microphone

The KM 64 was the successor to Neumann’s KM 54 small diaphragm cardioid microphone. It still used an AC 701 tube circuit, but its capsule was a new design with a Mylar diaphragm.

SRM 64

Long Neck Stage Microphone

A long neck stage microphone for speeches and presentations. The SRM 64 consisted of a cardioid condenser capsule and a tube amplifier, hidden in the lower part of the stand tube.

KTM

Transistor Microphone for Modulation Lead Powering

Neumann’s first solid state microphone. The KTM was a small diaphragm microphone using the same capsule as the KM 64. The KTM was soon replaced with the KM 74, which was almost identical except for a smaller body diameter.

KM 84

Miniature Microphone for Phantom Powering

The small diaphragm cardioid microphone KM 84 was built until 1992 and remains one of the most popular Neumann classics. Its even frequency response and consistent pickup pattern make it a sought-after microphone for all genres.

KM 73

Miniature Microphone for Modulation Lead Powering

The KM 73 was an omnidirectional small diaphragm microphone with solid state electronics. It was powered via T-power, P48 phantom power had not yet been invented.

KML

Clip-on Microphone

Neumann’s first Lavalier microphone. Its solid state amplifier could be battery powered and used with wireless transmitters of the day, such as the Sennheiser SK 1007.

KM 85

Miniature Microphone for Phantom Powering

The KM 85 was a cardioid microphone like the KM 84 but with a low cut built into the capsule to compensate for the proximity effect. The KM 85 was thus optimized for short distances as are typical in speech applications.

KM 75

Miniature Microphone for Modulation Lead Powering

The KM 75 was a cardioid microphone for short distances, e.g. in speech applications. Its capsule had a built-in low cut to compensate for the proximity effect. Like all KM 70 microphones, the KM 75 was T-powered.

KM 83

Miniature Microphone for Phantom Powering

The KM 83 was the omnidirectional model of the KM 80 series, which introduced a technology, which, due to its many advantages, soon became the new standard: P48 phantom power.

KM 66

Switchable Miniature Microphone

The KM 66 was a small diaphragm microphone with switchable patterns similar to the KM 56 but with two cardioid capsules with mylar diaphragms. The KM 66 was to remain Neumann’s last tube microphone design for almost 30 years.

KM 74

Miniature Microphone for Modulation Lead Powering

The KM 74 the successor to the KTM, Neumann’s first transistorized microphone. It used the same cardioid capsule as the KM 64 and KM84, but the grounding scheme of its T-powered circuit necessitated a different capsule head design.

U 87 i

Switchable Studio Microphone

The Neumann U 87 is probably the best-known and most frequently used studio microphone the world over. Its smooth and refined sound is as iconic as its elegant exterior design. The U 87 is the standard microphone for speech and vocals.

KM 76

Switchable Miniature Microphone

The KM 76 was the solid state successor to the KM 66 small diaphragm tube microphone. The KM 76 offered switchable patterns (omni, cardioid, figure-8) and operated T-powered.

U 77

Switchable Studio Microphone (Mod. Lead Powering)

Like the U 87, the U 77 was a solid state successor to Neumann’s classic tube microphone U 67. But instead of phantom power – which was not yet a studio standard – the U 77 operated on T-power.

KMA (1968)

Clip-on Microphone

The KMA (not to be confused with today’s KM A modular microphone system!) was an improved Lavalier microphone with an omnidirectional capsule and a detached amplifier. It ran on batteries or phantom power.

KM 86

Switchable Miniature Microphone

Like the KM 76, the KM 86 was a transistorized successor to the KM 66 small diaphragm tube microphone. The KM 86, however, was developed for P48 phantom power, introduced a few years earlier by Neumann – and soon the world standard.

KM 88

Switchable Miniature Microphone

The KM 88 was a multipattern small diaphragm microphone (omni, cardioid, figure-8) with FET electronics, similar to the KM 86. However, it used the same nickel capsules previously found in the KM 56 tube microphone.

SM 69 fet

Stereo Microphone (Transistor)

With the beginning of the new decade, Neumann’s large diaphragm stereo microphone SM 69, too, was converted to solid state electronics. Nonetheless it still required a dedicated power supply due to its remote pattern control.

SRM 84

Long Neck Stage Microphone

The successor to the SRM 64 long neck stage microphone. Instead of a tube amplifier the SRM 84 had a solid state circuit hidden in the lower part of the stand tube.

KMS 85

Handheld Microphone

Neumann’s first handheld vocal microphone had an unusual shape, but it proved that clever engineering could render condenser microphones stage-ready.

U 47 fet (1972)

Studio Microphone

By the early 70s Neumann’s tube microphone U 47 was legendary among seasoned engineers, and many wished for a direct solid state successor. The U 47 fet never quite filled those giant footprints, but was eventually (re)discovered as a classic in its own right.

KU 80

Dummy Head

In the early 70s people began to think beyond stereo. Neumann’s first dummy head microphone KU 80 was able to capture a realistic, three-dimensional sound image for headphone playback.

QM 69

Quadrophonic Microphone

In the mid-70s quadraphonic sound became popular among hi-fi enthusiasts. The Neumann QM 69 was a variant of the SM 69 fet with four separate outputs for each half of the two dual diaphragm capsules.

U 497

Studio Microphone

A microphone specially made for the French broadcasting network ORTF. The U 497 featured a K47 capsule and a sophisticated solid state circuit, similar to that of the U 47 fet, but adapted to French radio’s 12V-powering system.

KMS 84

Handheld Microphone

Neumann’s second attempt at a stage microphone looked considerably more handsome than the KMS 85 introduced a few years earlier. The KMS 84 used the same capsule as the KM 84 in a newly designed headbasket with excellent pop protection.

KMR 82 i

Micrófono Shotgun

El primer micrófono shotgun de Neumann se diseñó con gran atención a una respuesta uniforme fuera del eje para minimizar la coloración del sonido no deseada. ¡El KMR 82 i todavía está en producción!

USM 69 i

Micrófono Estéreo

El USM 69 i es una versión actualizada del micrófono estéreo de diafragma grande SM 69 fet de Neumann. Gracias a sus controles de patrón integrados, el USM 69 i ya no requiere una fuente de alimentación dedicada, pero puede funcionar con alimentación fantasma (phantom power).

U 89 i

Microfono de estudio

Diseñado como sucesor del U 87, el U 89 finalmente fue reconocido como un micrófono Neumann clásico por derecho propio. El U 89 luce una cápsula de doble diafragma completamente nueva con un sonido consistentemente lineal en cinco patrones de captación.

KMF 4 i

Miniature Microphone

A miniature microphone with a detached amplifier. Its visually unobtrusive cardioid capsule had a diameter of only 17 mm. The KMF 4 i could operate on phantom power or batteries.

KU 81

Dummy Head

While older dummy head microphones created a stunningly realistic sound image when played back over headphones, loudspeaker playback was unsatisfactory. The KU 81 cured this with capsules equalized for the diffuse-field.

TLM 170

Transformerless, switchable Studio Microphone

With the TLM 170 Neumann brought the first transformerless microphone onto the market. The absence of transformers makes the sound more transparent and open.

KMR 81 i

Micrófono Shotgun

Un micrófono shotgun corto, diseñado principalmente para diálogos de películas. Al igual que su hermano mayor, el KMR 82 i, ¡el KMR 81 i todavía está en producción!

U 87 Ai

Micrófono de estudio

Comparado con el U 87 i, el U 87 Ai tiene cambios menores en la electrónica: mayor seguridad operativa, mayor factor de transmisión, mejor relación S / N, suministro de batería interno omitido.

RSM 190 i

First Stereo Shotgun Microphone

A stereo shotgun microphone with external matrix box. The RSM 190 i was a mid/side microphone with the shotgun part delivering the M-component and a second figure-8 capsule system, angled 90 degrees, providing the S-component.

KM 130

Miniature Microphone

The KM 130 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 130 combines the KM 100 output stage with the diffuse-field equalized omni capsule AK 30.

KM 143

Miniature Microphone

The KM 143 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 143 combines the KM 100 output stage with the wide cardioid capsule AK 43.

KM 140

Miniature Microphone

The KM 140 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 140 combines the KM 100 output stage with the cardioid capsule AK 40.

KM 145

Miniature Microphone

The KM 145 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 145 combines the KM 100 output stage with the cardioid capsule AK 45, whose built-in low cut compensates the proximity effect.

KM 150

Miniature Microphone

The KM 150 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 150 combines the KM 100 output stage with the hypercardioid capsule AK 50.

KM 131

Miniature Microphone

The KM 131 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 131 combines the KM 100 output stage with the free-field equalized omni capsule AK 31.

TLM 50

Pressure Microphone

The TLM 50 revived the unique capsule technology of the classic Neumann M 50 of the 1950s and combined it with a cutting edge transformerless head amplifier for lowest noise and distortion.

GFM 132

Boundary Layer Microphone

Neumann’s first and only boundary layer microphone. The GFM 132 was designed using computer simulations: The unique shape of the base plate avoids comb filter effects.

KMS 150

Handheld Microphone

A handheld condenser microphone for pristine vocals on stage. The KMS 150 (hypercardioid) was the precursor to today’s very successful KMS 105.

KMS 140

Handheld Micropohne

A handheld condenser microphone for pristine vocals on stage. The KMS 140 (cardioid) was the precursor to today’s very successful KMS 104.

KFM 100

Spherical-Surface Stereo Microphone

The spherical surface microphone KFM 100 had two omni capsules flush mounted in a sphere. It worked similar to a dummy head stereo microphone, but was optimized for loudspeaker playback. Although technically excellent, it never caught on.

KU 100

Dummy Head

El nuevo y mejorado micrófono de cabeza simulada KU 100 ofrece una experiencia de sonido verdaderamente envolvente para producciones de música y drama. También se utiliza para aplicaciones industriales.

TLM 193

Micrófono de estudio

Al centrarse en las características esenciales que son importantes para la mayoría de los usuarios de grabación en el hogar, Neumann pudo ofrecer el TLM 193, un micrófono cardioide para presupuestos más pequeños en esta área cada vez más grande.

TLM 170 R

Micrófono de estudio

Diez años después de su lanzamiento inicial, el TLM 170 se actualizó con la nueva tecnología de conmutación remota de Neumann. En la configuración "R", el patrón direccional se puede controlar desde la fuente de alimentación sin necesidad de cables multipin especiales.

RSM 191 A Set

Stereo Shotgun Microphone

A stereo shotgun microphone for broadcast, film, and on-location applications. Like its predecessor the RSM 191 A operates in mid/side technique; the corresponding new MTX 191 A matrix box offered significantly enhanced features.

KM 184 (Series 180)

Micrófono miniatura

Un micrófono de diafragma pequeño de clase de referencia con un patrón cardioide constante, independiente de la frecuencia. El KM 184 es el sucesor del clásico KM 84 y puede manejar SPL mucho más altos, gracias a su etapa de salida sin transformador.

M 149 Tube

Micrófono tubular para estudio

El primer micrófono de tubo de Neumann después de una pausa de casi 30 años. El M 149 recibió un premio TEC por su combinación innovadora de un circuito de válvulas (sorprendentemente bajo en ruido) con una etapa de salida sin transformador de última generación.

KM 120

Miniature Microphone

The KM 120 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 120 combines the KM 100 output stage with the figure-8 capsule AK 20.

TLM 103

Micrófono de estudio

Concebido como una alternativa asequible al venerable U 87, el TLM 103 se ha convertido desde entonces en un estándar de estudio moderno. Con un ruido propio de solo 7 dB-A, el TLM 103 es uno de los micrófonos más silenciosos disponibles.

M 147 Tube

Micrófono de válvula de estudio

El M 147 Tube recupera el sonido clásico de los famosos micrófonos de tubo de Neumann de la década de 1950. Utiliza la misma cápsula que el legendario U 47 combinada con un innovador circuito de válvulas sin transformador.

KM 183 (Series 180)

Micrófono miniatura

Un micrófono de diafragma pequeño de clase de referencia con un patrón omnidireccional consistente, independiente de la frecuencia. El KM 183 es ​​el sucesor del clásico KM 83 y puede manejar SPL mucho más altos, gracias a su etapa de salida sin transformador.

KM 185 (Series 180)

Micrófono miniatura

Un micrófono de diafragma pequeño de clase de referencia con un patrón hipercardioide constante, independiente de la frecuencia. Su alta directividad hace del KM 185 un excelente solucionador de problemas para aplicaciones exigentes como la grabación de batería.

KMS 105

Micrófono de escenario

El KMS 105 es un micrófono vocal de estudio con todas las virtudes de un micrófono de escenario resistente: excelente protección contra pop, bajo ruido de manejo, enorme capacidad SPL y alta resistencia a la retroalimentación, gracias a su patrón supercardioide ajustado.

M 150 Tube

Micrófono tubular de estudio

Un micrófono de tubo omnidireccional único, basado en el legendario Neumann M 50 de la década de 1950. Su cápsula de titanio está montada al ras en una pequeña esfera para aumentar la directividad a frecuencias más altas, ideal para las técnicas DECCA Tree.

KK 105 S

Cabezal de micrófono

Sonido Neumann en el escenario - ¡inalámbrico! El cabezal de cápsula KK 105 S utiliza una cápsula cardioide de condensador verdadero fabricado con precisión y está especialmente diseñado para los transmisores de mano Sennheiser SKM 5000/5200.

D-01

Digital Studio Microphone

A new milestone: The D-01 digital microphone is the flagship of Neumann’s Solution D technology ensuring unprecedented fidelity and an enormous dynamic range of 130 dB. All functions may be remote controlled via the AES 42 interface.

TLM 127

Studio Microphone

Designed as the bigger brother of the popular TLM 103, the TLM 127 offered additional functions such as pad and low cut and even remote controllable patterns using the patented technology Neumann had introduced ten years earlier with the TLM 170 R.

BCM 104

Micrófono de Broadcast

El BCM 104 es un micrófono de broadcast especialmente diseñado para locutores de radio y DJs, creado para comunicar emoción con la perfección característica de Neumann. Su diseño funcionalmente optimizado cuenta con una cápsula condensadora de diafragma grande, especialmente diseñada para discurso. Además, tiene integradas una pantalla contra viento y una montura contra choques. El circuito sin transformador asegura un sonido directo y libre de ruido exterior.

KK 104 S

Cabeza de micrófono (SKM 5200/5000 N)

Sonido Neumann en el escenario - ¡inalámbrico! El cabezal de cápsula KK 104 S utiliza una cápsula cardioide de condensador verdadero fabricado con precisión y está especialmente diseñado para los transmisores de mano Sennheiser SKM 5000/5200.

BCM 705

Micrófono de Broadcast

El BCM 705 es un micrófono de bajo costo para broadcast pensado para aplicaciones de discurso en estudios. Su diseño funcionalmente optimizado presenta una suspensión elástica. El primer micrófono de Neumann con cápsula dinámica.

TLM 49 Set

Micrófono de estudio

El sonido de los clásicos vintage de Neumann, recreado con circuitos FET sin problemas. El TLM 49 utiliza la misma cápsula y el mismo diseño icónico de la rejilla de la cabeza que el legendario M 49. Como un micrófono de tubo, el TLM 49 produce una saturación suave con SPL más altos.

U 87 Anniversary Set

Studio Microphone

For its 40th anniversary the U 87 was offered as a special set in a unique retro style case. The microphone, its shock mount, and the exclusive 60s style pop shield featured an attractive combination of polished and matte nickel surfaces.

TLM 67

Micrófono de estudio

El KMS 104 plus es una versión especial del popular micrófono de escenario cardioide KMS 104. Un ligero aumento en las frecuencias bajas le da a la versión plus más "calidez" y "peso". El KMS 104 plus es particularmente popular entre las cantantes.

TLM 103 D

Digital Studio Microphone

The digital version of Neumann’s acclaimed TLM 103 large diaphragm condenser microphone. The TLM 103 D uses Neumann’s Solution D converter technology ensuring highest fidelity with an enormous dynamic range of 130 dB.

KMS 104 plus

Micrófono de escenario

The KMS 104 plus is a special version of the popular KMS 104 cardioid stage microphone. A slight boost in the low frequencies gives the plus version more “warmth” and “weight”. The KMS 104 plus is particularly popular among female singers.

TLM 102

Micrófono de estudio

Big sound for small studios: The TLM 102 is Neumann’s most affordable large diaphragm condenser microphone to date. Nonetheless it offers true Neumann quality, made in Germany.

KMR 81 D

Digital Shotgun Microphone

The KMR 81 D is the digital version of Neumann’s shotgun microphone KMR 81 i for film dialog and broadcast applications with highest fidelity, thanks to Neumann’s Solution D technology. The KMR 81 D complies to the AES 42 standard for digital microphones.

KH 120 A G

Two Way Nearfield Monitor

Starting with the KH 120 in 2010, Neumann offers his expertise in electro-acoustic transducer technologies to the studio monitoring market, and is now the perfect partner for both the front end and the back end of the audio signal path.

KMS 104 D

Digital Stage Microphone

The KMS 104 D is the digital version of Neumann’s cardioid stage microphone KMS 104. Neumann’s Solution D technology ensures highest fidelity for a pristine studio grade vocal sound.

KMS 105 D

Digital Stage Microphone

The KMS 105 D is the digital version of Neumann’s supercardioid stage microphone KMS 105. Neumann’s Solution D technology ensures highest fidelity for a pristine studio grade vocal sound.

KH 810

Subwoofer con gestión de graves 7.1

The KH 810 is a subwoofer with a High Precision Bass Manager™ for stereo and surround setups up to 7.1. Thanks to the latest amplifier and acoustical components, the KH 810 achieves distortion-free bass extension down to 18 Hz.

KH 870

Subwoofer con gestión de graves 7.1

The KH 870 is a subwoofer with a High Precision Bass Manager™ for stereo and surround setups up to 7.1. It offers the same precision as the KH 810 but with additional power for distortion-free bass reproduction even at highest SPLs.

KK 204

Cabeza de micrófono (para sistemas inalámbricos Sennheiser)

Sonido Neumann en el escenario - ¡inalámbrico! La cabeza de cápsula KK 204 utiliza una cápsula cardioide de condensador verdadero fabricado con precisión y está especialmente diseñado para transmisores de mano Sennheiser SKM 2000/6000/9000, sistemas inalámbricos EW G4 300/500 y EW-D.

KH 310 A

Monitor Nearfield de Tres Vías

A high-resolution tri-amplified near-field monitor for editing, mixing, and mastering with confidence and precision. The KH 310 A offers the fastest transient response in its class, outstanding midrange detail, and a pleasantly dry low frequency reproduction.

KH 420

Monitor midfield de tres vías

A powerful tri-amplified midfield monitor for demanding engineers. The KH 410 combines enormous SPL capability with a low frequency reproduction that extends down to 26 Hz.

U 47 fet i

Micrófono de estudio

Presentado como sucesor del legendario micrófono de tubo U 47, el U 47 fet se convirtió en un clásico de Neumann por derecho propio. Su carácter suave pero definido dio forma al sonido de los años 70. Desde 2014 está disponible nuevamente.

TLM 107

Micrófono de Estudio

El nuevo caballo de batalla del estudio. El TLM 107 es un micrófono de diafragma grande de última generación con sonido de alta definición en cinco patrones direccionales. Los ajustes variables de pad y low cut y un enorme rango dinámico lo hacen adaptable a cualquier aplicación.

KH 805

Subwoofer with 2.0/0.1 Bass Management

A budget friendly stereo version of the reknowned KH 810 subwoofer. The KH 805 offers low frequency extension down to 18 Hz and features a bypassable 2.1/0.1 bass manager which enables it to be used in many different applications.

KH 80 DSP A G

Monitor nearfield de dos vías

Neumanns first DSP-controlled studio monitor. Despite its small size, the KH 80 DSP achieves reference class sound. Its DSP engine allows for FIR phase correction as well as a room alignment using the Neumann.Control App.

U 67 Set

Micrófono tubular de estudio

El micrófono de tubo que definió el sonido de la década de 1960. ¡Vuelve el original!

NDH 20

Audífonos de Estudio

Los primeros audífonos de Neumann - Audífonos premium cerrados de calidad estudio para monitorear, editar y mezclar.

KH 750 DSP

Subwoofer with 2.0/0.1 Bass Management

Compact DSP-controlled closed cabinet subwoofer. It is the ideal choice for smaller rooms and smaller studio monitors, such as the KH 80 DSP.

V 402

Preamplificador de micrófono de doble canal

Un preamplificador de micrófono de última generación con monitorización de auriculares integrada.

KH 750 AES67

AES67 Subwoofer with 2.0/0.1 Bass Management

Miniature Clip Mic System MCM

Miniature Clip Microphone

True Neumann sound for close miking acoustic instruments in live applications.

NDH 30

Studio Headphone

Reference-class open-back studio headphone for editing, mixing, and mastering

M 49 V Set

Remote Switchable Studio Tube Microphone

The legendary tube microphone of the 1950s and 60s is finally available again. In the original.

KH 150

Two Way Nearfield Monitor

DSP-powered, bi-amplified studio monitor with deep bass response and outstanding resolution.