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Two Way Nearfield Monitor

KH 80 DSP A G EU

Ultra-compact, DSP-controlled bi-amplified near-field monitor with exceptional power reserves

  • New DSP engine optimizes output to achieve reference class sound
  • Mathematically optimized dispersion to deliver excellent detail in any surroundings
  • Optional tools for room alignment, configuration und control

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Suited for:

The number 1 for 0 compromises

With its digital core, the KH 80 DSP enables filtering functions and room adjustment options, which brings reference level reproduction to any environment. Even with its compact design, it has extraordinary reserve capacity - as well as the classic strengths of the Neumann monitor philosophy: clearly defined dispersion angle, distortion-free design and sophisticated material selection.

Dealer Description

The perfect sound of higher mathematics at work

The Neumann developers know every nuance, every angle and every wave reflection of the KH 80 DSP. It sounds so pure because they are directing every sound wave so precisely. The KH 80 DSP’s design is based on computer simulations that calculate with a level of accuracy that no one other than Neumann does. The Mathematical Modeled Dispersion Waveguide (MMD™) provides the studio series with a solid base for precise sound direction that remains unique. Maths has never sounded so good.

Neumann even includes the biggest unknown factor in our calculations: Your room

It might be a project studio, an outside broadcast van, a corner at work or just a brick building: The room defines the sound. Surfaces and corners in the room cause interference, diffraction, reflection, and refraction: all are forms of distortion. For a really true sound, without acoustic-physical “accidents”, you normally need expensive equipment plus plenty of time and expertise to align it correctly – or smart algorithms. An easy adjustment to the monitor position (free standing, small/medium/large desk) is possible via the rear "Acoustical Control" switch.

For even more precise adjustments we offer the following options:

  • For even more precise adjustments we offer the Automatic Monitor Alignment – Automatic room correction of stereo systems using the Neumann MA 1 measurement microphone (software for Mac/PC)
  • Neumann.Control – Free iPad®-App for setup, operation, and room correction of up to nine KH 80 DSP monitors via guided and/or manual alignment

A tool for everyone who has professional standards

Highest quality components, high-end protection systems and power reserves are what you would expect from this studio class product even under the most demanding circumstances. Its design makes the KH 80 DSP a versatile near-field monitor, which delivers professional-quality sound wherever you need it – in project and music studios, editing and broadcasting rooms or in outside broadcast vans. Some of our customers like it so much, they use the KH 80 DSP in their living rooms. Why not? After all, the KH 80 DSP delivers digital precision for a masterpiece of analog technology: your ears.

The KH 750 DSP subwoofer is the perfect complement to the KH 80 DSP.

Hundreds of good reasons from the Neumann philosophy

The KH 80 DSP has also been developed true to the Neumann philosophy for monitor loudspeakers. Every component, every shape, every signal and every wave motion is a consequence of this philosophy. No form or component is there without reason. There are hundreds of tangible reasons built into the KH 80 DSP, which all stand for exceptionally pure and neutral sound. These include, for example, curvatures of the housing that reduce edge diffraction. Also included is the pistonic output of the bass driver which does not give rise to harmonic distortions, even with the highest sound peaks. Some of these reasons are obvious in the KH 80. Others Neumann prefers to keep to itself. But together, each can be heard – sound professionals in both large and small studios all around the world can testify to this. You can read more about the Neumann philosophy for studio monitors philosophy here.

Advice

This device supports Sennheiser Sound Control (SSC) based on TCP and IPv6. The static IPv6 address of the device can be found using mDNS. For more information on SSC, please refer to the Sennheiser website (for example here).

Please note: We do welcome the community of users implementing custom control solutions for KH monitors based on SSC. However we do not offer technical support on using the protocol and the customer support organization will not address issues with custom monitor control applications or side effects Neumann applications. Using the SSC protocol outside the Neumann applications is done at your own risk. Neumann does not warrant SSC functionality outside of the MA 1 - Automatic Monitor Alignment Application. Future firmware releases may implement a different control protocol than SSC.

(1) In-house simulated tweeter with alloy fabric dome

  • Latest modeling techniques used to minimize non-linear (harmonic and intermodulation) distortion
  • Low-distortion high frequency reproduction

(2) Elliptical Mathematically Modelled Dispersion™ (MMD™) waveguide

  • Smoother off-axis response
  • More forgiving of diverse acoustical environments

Wide horizontal dispersion

  • Freedom of movement across the mixing console

Narrow vertical dispersion

  • Reduces reflections off the mixing console

(3) Two-color Neumann logo

  • Displays operation status and activation of the extensive protection system

(4) In-house modelled long-throw composite sandwich cone bass driver with Extremely Linear Force Factor™ (ELFF™) and flow optimized die cast basket

  • Damping of break up modes brings low distortion at high sound levels
  • Linear pistonic motor gives a very low harmonic distortion even at high excursions
  • Reduced air noise and improved rocking modes

(5) Robust metal grilles

  • Protects against mechanical damage

(6) Large high-capacity flow-optimized bass reflex ports with pipe resonance damping

  • Fast bass transient response
  • Reduced bass compression at high output levels
  • No coloration from organ pipe resonance
  • Easier to mount in tight spaces

(7) Compact polycarbonate composite cabinet

  • Robust package for a long life
  • No standing wave resonances

One-piece front panel with no discontinuities

  • Reduced diffraction and smoother frequency response

(8) Standby function

  • Reduces power consumption when product is not in use

(9) 4-position low-mid acoustical control

  • Compensates for nearby desktops
  • Fast acoustical set up in mobile applications
  • Repeatable acoustical settings after moving loudspeakers

(10) Wide range input gain and output level controls

  • Easier interfacing with signal sources

(11) Fully documented extensive mounting hardware range

  • More flexibility in mounting cabinets in more diverse locations and backwards compatible to previous products
  • Easy advanced planning for installations

(12) Universal double-insulated switched-mode power supply (100 … 240 V)

  • One version works in any country and robust to poor quality mains supply
  • Ground loops are impossible

(13) Network connector using standard IP protocol and your existing network infrastructure

  • Loudspeaker system can be controlled via the Neumann.Control iPad@ app

(14) Analogue input socket can accept XLR or 6.3 mm (1/4”) Jack plugs, electronically balanced with completely symmetrical internal signal chain

  • Completely symmetrical internal signal routing minimizes noises caused by external electromagnetic interference

More Features

Production consistency due to automated computer optimized alignment in final testing

  • Any KH 80 DSP is “pair matched” to any other KH 80 DSP

Separate fast acting thermo limiters for woofer and tweeter to protect the voice coils and power amplifiers

  • Woofer soft clip and excursion limiters
  • Fast acting and highly reliable
  • Allows extraction of the maximum performance

Low heat dissipation amplifiers with large headroom and overheat limiting

  • Improved transient response
  • Assured reliability and safety

Linear phase crossover

  • Flat phase response for timing transparency

 

Acoustics
Free field frequency response ±6 dB 53 Hz … 21 kHz
Free field frequency response ±3 dB 57 Hz … 21 kHz
Pass band free field frequency response (reproduction accuracy) 61 Hz … 20 kHz, ±1.25 dB
Free field frequency linearity deviation between 100 Hz and 10 kHz ± 0.7 dB
Reproduction accuracy between 100 Hz and 10 kHz: 100%, 80%, 50% of loudspeakers produced ±0.26; ±0.23; ±0.17 dB
Self-generated noise at 10 cm (with input gain set to 100 dB SPL for 0 dBu) <20 dB(A) SPL
Sine wave output with a THD < 0.5 % at 1 m in half space 90 dB SPL (>200 Hz)
Max. SPL calc. in half space at 3% THD at 1m (averaged between 100 Hz and 6 kHz) 108.8 dB SPL
Max. SPL in full space at 3% THD at 1m (averaged between 100 Hz and 6 kHz) 102.8 dB SPL
Bass capability: Max. SPL in half space at 3% THD at 1m (averaged between 50 Hz and 100 Hz) 96.8 dB SPL
Max. short term SPL with IEC-weighted noise (IEC 60268-5) at 1 m, in typical listening conditions 104 dB(C) SPL
Max. short term SPL with music material at 2.3 m in typical listening conditions (pair / full range) 93 dB(C) SPL
Max. short term SPL with music material at 2.3 m, in typical listening conditions (pair with subwoofer) 100 dB(C) SPL
Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair full range) 88 / 93 dB(C) SPL
Max. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair with subwoofer) 91 / 96 dB(C) SPL
Dolby DARDT. Max SPL fullrange 113 dB
Dolby DARDT. Max SPL bass managed 118 dB
Recommended Listening Distance 0.75 … 2.0 m (2'6" … 6')
Feasible Listening Distance 0.5 … 3.0 m (2`… 9`)
Acoustical Principle Bassreflex, Ports at the front
Analog Inputs and Outputs
Analog input(s) XLR / 6.3 mm (¼”) Jack: analog electronically balanced
Analog input impedance 14k Ohms
Max. input level +24 dBu for 94 dB SPL setting; +18 dBu for 100 dB SPL setting; +10 dBu for 108 dB SPL setting; +4 dBu for 114 dB SPL setting
Common mode rejection ratio (CMRR) >56 dB @ 15 kHz
Volume control via Neumann.Control software
Volume control range; resolution 0 … -∞ dB; 0.1 dB
Analog dynamic range; THD+N (A-D-A) 111 dB(A) woofer; 112 dB(A) tweeter
Digital Inputs and Outputs
Digital converter: resolution; design 24-bit DAC; Δ∑
Digital converter: sampling rate 48 kHz
Digital internal sampling rate 48 kHz
Dynamic range A-D 114 dB(A)
Dynamic range D-A 114 dB(A) woofer; 117 dB(A) tweeter
Latency ADA / DA 2 ms (A-D-A linear phase)
Delay: User adjustable delay range 0 … 70 ms
Delay: Resolution: time; distance 0.1 ms; 3.44 cm (1 3/8”)
Delay: Max. frames Audio-video synchronisation (lip sync) 1.75 (40 ms frames); 2.1 (33 ms frames)
Delay: Time-of-flight maximum distance 24 m (79 ft)
User Interfaces (Backplate)
Input gain control (sensitivity) 0 dB ... -15 dB
Output level control (output level in 1 m based on 0 dBu input level) 94; 100; 108; 114 dB SPL
Equalization: Low-Mid 0; -1.5; -3; -4.5 dB
Control Local; Network
Electronics - Controller
Controller design Digital; active
Crossover frequency 1.8 kHz
Crossover slope 48 dB/oct; 8th order with phase correction
Equalization: via Neumann.Control software 8 x full parametric IIR + low / high shelf global balance
Automatic room calibration via MA 1 yes
FIR phase correction Linear phase (170 Hz ... 16 kHz; +/- 45°)
Protection circuitry Independent soft clip, peak and thermo limiters for woofer and tweeter; Woofer excursion limiter; thermo limiter for the electronics and amplifiers
Infrasonic filter: frequency; slope 61 Hz; 12 dB/Okt.
Remote control Neumann.Control software via an RJ45 connector carrying standard IP data
Display: On; Normal Operation Neumann logo “White”
Display: Identification Neumann logo “Rosé”
Display: Limit / Clip / Errors / Protection /Boot Mute / Shut Down Mute Neumann logo “Red”
Display Brightness via Neumann.Control
Electronics - Amplifiers and Power Supply
Output power woofer amplifier (THD+N with limiter deactivated: 10%) 120 W
Output power tweeter amplifier (THD+N with limiter deactivated: 10%) 70 W
Output power woofer amplifier (THD+N with limiter deactivated: 0.1%) 90 W
Output power tweeter amplifier (THD+N with limiter deactivated: 0.1%) 50 W
Mains Power Supply: input voltage; frequency 100-240 V; 50/60 Hz
Power consumption (230 V / 100 V): Standby <330 / <50 mW
Power consumption (230 V / 100 V): Idle 9 / 8 W
Power consumption (230 V / 100 V): Full output 180 W
Standby Disabled; 90 mins (default); user defined in software
Mechanics
Cabinet material Composite polycarbonate
Cabinet surface finish; color (front / back) Painted; metallic anthracite (RAL 7021) / Black (RAL 9005)
Operating conditions +10° C to +40° C (+50° F to +104° F); <75% RH; non-condensing
Transport/storage conditions -25° C to +60° C (-13° F to 158° F); <90% RH; non-condensing
Woofer 100 mm (4") with protecting black metal grille
Tweeter 25 mm (1") with protecting black metal grille
Mounting points 2 x M6 threaded inserts with 70 mm spacing on back panel; thread depth 15 mm (5/8”)
Product dimensions (height x width x depth) 233 x 154 x 194 mm (9 1/8" x 6" x 7 5/8")
Internal net volume 3.7 liters
External net volume 6.7 liters
Packed dimensions (height x width x depth), mm (inches) 345 x 277 x 243 mm (13 5/8" x 10 7/8" x 9 5/8")
Packed weight 4.1 kg (9 lbs 1 oz)
Packed cube 0.023 m³
Product weight 3.5 kg (7 lbs 8 oz)
Acoustical Axis horizontal 77 mm
Acoustical Axis vertical (from bottom) 129 mm

Diagrams

KH 80 DSP - Free-Field Response

KH 80 DSP - Free-Field Response

KH 80 DSP - Group Delay

KH 80 DSP - Group Delay

KH 80 DSP - Phase Response

KH 80 DSP - Phase Response

KH 80 DSP - Cumulative Spectral Decay

KH 80 DSP - Cumulative Spectral Decay

KH 80 DSP - Horizontal Directivity Plot

KH 80 DSP - Horizontal Directivity Plot

KH 80 DSP - Vertical Directivity Plot

KH 80 DSP - Vertical Directivity Plot

KH 80 DSP - Maximum SPL at 1m (Blue: 3% THD, Green: 1% THD )

KH 80 DSP - Maximum SPL at 1m (Blue: 3% THD, Green: 1% THD )

KH 80 DSP - Low-Mid Acoustical Controls

KH 80 DSP - Low-Mid Acoustical Controls

KH 80 DSP - Harmonic Distortion at 90 dB SPL (Blue: THD, Green: 2nd harmonic, Red: 3rd harmonic)

KH 80 DSP - Harmonic Distortion at 90 dB SPL (Blue: THD, Green: 2nd harmonic, Red: 3rd harmonic)
TLM 49 Set

LH 28

Tripod Stand Adaptor

LH 28
TLM 49 Set

LH 29

TV-Spigot

LH 29
TLM 49 Set

LH 32

Wall Bracket

LH 32
TLM 49 Set

LH 37

Mounting Flange Adaptor

LH 37
TLM 49 Set

LH 43

Surface Mounting Plate

LH 43
TLM 49 Set

LH 45

Wall Bracket

LH 45
TLM 49 Set

LH 46

Adjustable Ceiling Drop Adapter

LH 46
TLM 49 Set

LH 47

Mounting Adaptor Plate

LH 47
TLM 49 Set

LH 48

Tripod Adaptor Plate

LH 48
TLM 49 Set

LH 61

Adjustable L-Bracket

LH 61
TLM 49 Set

LH 64

Omnimount/VESA Adaptor

LH 64
TLM 49 Set

LH 65

Table stand

LH 65
TLM 49 Set

KH 80 DSP on a K&M stand

Mounting Example

KH 80 DSP on a K&M stand
TLM 49 Set

KH 80 DSP on a lighting stand

Mounting Example

KH 80 DSP on a lighting stand
TLM 49 Set

KH 80 DSP on a floor stand

Mounting Example

KH 80 DSP on a floor stand
TLM 49 Set

KH 80 DSP on the floor

Mounting Example

KH 80 DSP on the floor
TLM 49 Set

KH 80 DSP on a desktop (1)

Mounting Example

KH 80 DSP on a desktop (1)
TLM 49 Set

KH 80 DSP on a desktop (2)

Mounting Example

KH 80 DSP on a desktop (2)
TLM 49 Set

KH 80 DSP on a desktop (3)

Mounting Example

KH 80 DSP on a desktop (3)
TLM 49 Set

KH 80 DSP on a desktop (4)

Mounting Example

KH 80 DSP on a desktop (4)
TLM 49 Set

KH 80 DSP on a desktop (5)

Mounting Example

KH 80 DSP on a desktop (5)
TLM 49 Set

KH 80 DSP on a mic stand

Mounting Example

KH 80 DSP on a mic stand
TLM 49 Set

KH 80 DSP on a KH 870 sub (1)

Mounting Example

KH 80 DSP on a KH 870 sub (1)
TLM 49 Set

KH 80 DSP on a KH 870 sub (2)

Mounting Example

KH 80 DSP on a KH 870 sub (2)
TLM 49 Set

KH 80 DSP on a VESA mount

Mounting Example

KH 80 DSP on a VESA mount
TLM 49 Set

KH 80 DSP on a wall (1)

Mounting Example

KH 80 DSP on a wall (1)
TLM 49 Set

KH 80 DSP on a wall (2)

Mounting Example

KH 80 DSP on a wall (2)
TLM 49 Set

KH 80 DSP off a ceiling (1)

Mounting Example

KH 80 DSP off a ceiling (1)
TLM 49 Set

KH 80 DSP off a ceiling (2)

Mounting Example

KH 80 DSP off a ceiling (2)
TLM 49 Set

KH 80 DSP off a ceiling (3)

Mounting Example

KH 80 DSP off a ceiling (3)
TLM 49 Set

KH 80 DSP off a ceiling (4)

Mounting Example

KH 80 DSP off a ceiling (4)
TLM 49 Set

MA 1

MA 1 - Automatic Monitor Alignment

MA 1

KH 80 DSP A G EU

Color anthracite

CAT. NO. 506834

  • 1 x KH 80 DSP Studio Monitor
  • 4 x Self-adhesive feet
  • 1 x Mains Cable EU
  • 1 x Safety Guide
  • 1 x Supplement “Getting Started Quickly”

KH 80 DSP A G US

Color anthracite

CAT. NO. 506835

  • 1 x KH 80 DSP Studio Monitor
  • 4 x Self-adhesive feet
  • 1 x Mains Cable US
  • 1 x Safety Guide
  • 1 x Supplement “Getting Started Quickly”

KH 80 DSP A G UK

Color anthracite

CAT. NO. 506836

  • 1 x KH 80 DSP Studio Monitor
  • 4 x Self-adhesive feet
  • 1 x Mains Cable UK
  • 1 x Safety Guide
  • 1 x Supplement “Getting Started Quickly"

KH 80 DSP A G CCC

Color anthracite

CAT. NO. 506840

  • 1 x KH 80 DSP Studio Monitor
  • 4 x Self-adhesive feet
  • 2 x Mains Cables (CCC + KC)
  • 1 x Safety Guide
  • 1 x Supplement “Getting Started Quickly"

Suited for:

Reviews

Neumann KH 80 DSP
Sound & Recording 09/2017, German
Download PDF

Klein, aber fein
Soundcheck 08/2017, German
Download PDF

Small but beautiful
Soundcheck 08/2017, English

Neumann KH 80 DSP Monitor Klein Maar Verfijnd
From Musicmaker, 07-08 2018 www.musicmaker.nl
Download PDF

Neumann KH80 DSP Monitors
Prosoundnetwork.com 03/2018, English
Link

Kleiner Bruder mit mächtig Dampf
Amazona.de 09/2017, German
Link

Neumann KH 80 DSP Test
Delamar, German
LINK

Awards

WARNING (for California residents only): This product can expose you to chemicals including lead, which is known to the State of California to cause cancer and birth defects and other reproductive harm. For more information go to: www.p65warnings.ca.gov.

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