COLORS AND VARIANTS
The KM 183 is a state-of-the-art small diaphragm condenser microphone with a frequency-independent omnidirectional polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 183 a worldwide studio standard for many applications ranging from classical piano to heavy metal drums.
While many microphones, these days, are designed to add some sonic imprint of their own, there are many applications that require a faithful reproduction of the original acoustic event, without adding or removing anything. That’s where the Neumann Series 180 comes in.
The Neumann Series 180 consists of three members with different pickup patterns: KM 183 (omni), KM 184 (cardioid), and KM 185 (hypercardioid), thus covering the majority of stage and studio applications. Because the Series 180 microphones are non-modular, they are more-cost effective than the modular Series KM A and KM D (which offer a wide range of interchangeable capsule heads for analog and digital output stages).
Despite its attractive pricing, the KM 183 offers state-of-the-art Neumann engineering. Its omnidirectional pattern is uniform and largely frequency-independent. In practical usage, there is no sound coloration over a wide pickup angle, which is crucial in multi-microphone setups and for precise stereo/surround imaging. The KM 183’s pressure transducer capsule is equalized for a flat frequency response in the diffuse field. In the free field (i.e. close to the sound source), it has a treble boost of approximately 7 dB at 10 kHz. Its innovative transformerless head amplifier offers a wide dynamic range of 127 dB and is carefully designed to maintain the capsule’s sonic integrity. The KM 183 has a very low self-noise of only 13 dB-A and can handle high sound pressure levels of up to 140 dB free from distortion. Due to its low impedance output stage, the KM 183 can drive long cable runs of up to 300 meters (1000 feet) without transmission losses.
The KM 183 is a universal microphone for studio applications. Its transparent sound makes the KM 183 a superb microphone for acoustic instruments, such as piano, percussion, drums, acoustic guitar, strings, woodwinds, brass, choir, and wherever sonic authenticity is paramount. As a pressure transducer, the KM 183’s low frequency response is limitless, which makes it an excellent choice for orchestra and church organ recordings. Thanks to its superior off-axis behavior, the KM 183 works extremely well in stereo and surround setups. Due to its small size, the KM 183 is visually unobtrusive and well suited to TV and radio applications.
|Acoustical operating principle||Pressure transducer|
|Frequency Range||20 Hz ... 20 kHz|
|Sensitivity at 1 kHz into 1 kohm||12 mV/Pa ± 1 dB|
|Rated Impedance||50 ohms|
|Rated load impedance||1 kohms|
|Equivalent noise level, CCIR¹⁾||24 dB|
|Equivalent noise level, A-weighted¹⁾||13 dB-A|
|Maximum SPL for THD 0.5%²⁾||140 dB|
|Signal-to-noise ratio, CCIR (re. 94 dB SPL)¹⁾||70 dB|
|Signal-to-noise ratio, A-weighted (re. 94 dB SPL)¹⁾||81 dB|
|Maximum output voltage||10 dBu|
|Supply voltage (P48, IEC 61938)||48 V ± 4 V|
|Current consumption (P48, IEC 61938)||3.2 mA|
|Matching connector||XLR 3 F|
|Weight||approx. 80 g|
1) according to IEC 60268-1; CCIR-weighting acccording to CCIR 468-3, quasi peak; A-weighting according to IEC 61672-1, RMS
2) measured as equivalent el. input signal
CAT. NO. 008437
CAT. NO. 008438
CAT. NO. 008522
Luxusstäbchen - Kleinmembran-Kondensatormikrofone im Vergleich, German
Tools 4 Music, 06/2008
Luxury tools - Comparision of small-diaphragm condenser microphones, English
Tools 4 Music, 06/2008
There may be other microphones available with similar specifications and an even lower cost, but they don´t sound like these, aren´t as versatile as these, and can´t inspire the confidence that they can deliver the same universally good results.
Audio Media 2/2000
Nice mics - a pair of very usable tools. Looks like Neumann has reapplied its winning formula - lower the price to the trigger point by taking away a few features but keep the quality up.
Pro Audio Review 1/2000
Wood, Steel, and VoiceDownload PDF
KM 180 Series Mics in the Project StudioDownload PDF
The Los Angeles Guitar Quartet finds "The Way" with NeumannDownload PDF
Hawaiian Folk Songs for the FamilyDownload PDF
Studio Sound Award 2000
WARNING (for California residents only): This product can expose you to chemicals including lead, which is known to the State of California to cause cancer and birth defects and other reproductive harm. For more information go to: www.p65warnings.ca.gov.
True Neumann sound for close miking acoustic instruments in live applications.Miniature Clip Mic System MCM
DSP-powered, bi-amplified studio monitor with deep bass response and outstanding resolution.KH 150
The sound of our 1950s tube classics recreated with trouble free FET circuitryTLM 49 Set
Powerful compact bi-amplified studio monitor with superb impulse response and resolution.KH 120 A G
Our new state of the art microphone: extremely versatile and surprisingly affordable!TLM 107
Ultra-compact, DSP-controlled bi-amplified near-field monitor with exceptional power reservesKH 80 DSP A G