Neumann History Products

Product
CMV 3
First Condenser Microphone

The 'Neumann Bottle', the first ever mass produced condenser microphone. Diameter: 9 cm, height: 40 cm, weight: 3 kg. Telefunken, a subsidiary of AEG, took on the marketing rights to this Neumann microphone.
CMV 3MM 2
Measuring Microphone

Neumann’s first measurement microphone. Its tube amplifier was based on the U 47’s, but instead of a large diaphragm capsule it used a tiny high-precision condenser capsule on a long neck to avoid reflections from the microphone body.
MM 2U 47
Switchable Condenser Microphone

The first switchable pattern condenser microphone. It has been used in countless famous recordings. Maybe the most popular Neumann microphone – A Legend.
U 47M 49
Remote Switchable Condenser Microphone

The M 49 was the first studio microphone with a continuously variable directional pattern. It used the same large diaphragm capsule as the U 47 and ranks among the most sought-after tube microphones of all time. In 2022 it was reissued by Neumann as the M 49 V Set.
M 49M 50
Condenser Microphone (omni)

The M 50 was instrumental in developing the Decca tree recording technique. The open mesh headbasket houses a small diaphragm capsule flush mounted in a small sphere. Its unique acoustic properties are ideally suited to orchestral recordings.
M 50KM 53
Miniature Microphone

Neumann’s first small diaphragm studio microphone. The KM 53 was a pressure transducer with an ultra-thin metal diaphragm. Like all microphones of its time, it operated with tube electronics.
KM 53KM 54
Miniature Microphone

The KM 54 was the cardioid counterpart to the omnidirectional small diaphragm microphone KM 53, introduced the previous year. The KM 54 featured an ultra-thin metal diaphragm and tube electronics.
KM 54MM 3
Measuring Microphone

The MM 3 was a high-precision measurement microphone, much like its predecessor, the MM 2, but with updated tube electronics.
MM 3KM 56
Switchable Miniature Microphone

Neumann’s first small diaphragm microphone with selectable directional patterns (omni, cardioid, figure-8). Due to its complexity on a small footprint the KM 56 ranked among the most expensive microphones of its era.
KM 56SM 2
Stereo Microphone

Neumann’s first stereo microphone. With its two independently switchable small diaphragm systems (omni, cardioid, figure-8) the SM 2 allowed for all kinds of coincidental stereo recording techniques.
SM 2U 48
Switchable Condenser Microphone

The U 48 was a special variant of Neumann’s flagship studio microphone, the U 47. Instead of cardiod and omni patterns the U 48 offered cardioid and figure-8.
U 48MM 5
Measuring Microphone

The MM 5 was an update on Neumann’s previous measurement microphones MM 2 and MM 3 with lower noise electronics, but still tube-based. The MM 5 was to remain the last measurement microphone produced by Neumann.
MM 5KM 253
Miniature Microphone (HF proof)

A special version of the omnidirectional small diaphragm microphone KM 53 for the broadcast industry. For increased RF-immunity the KM 253 was fitted with a new, larger plug.
KM 253KM 254
Miniature Microphon (HF proof)

A special version of the cardioid small diaphragm microphone KM 54 for the broadcast industry. For increased RF-immunity the KM 254 was fitted with a different plug.
KM 254KM 256
Miniature Microphone (HF proof)

A special version of Neumann’s flagship small diaphragm microphone KM 56 with switchable patterns (omni, cardioid, figure-8). As requested by the broadcast industry, the KM 256 was fitted with a different plug for increased RF-immunity.
KM 256U 67 (1960)
Switchable Condenser Microphone

The U 67 tube microphone was the quintessential studio workhorse throughout the formative years of modern music. Today, more than ever, its inimitably smooth sound continues to be in high demand. In 2018, it was reissued by Neumann as the U 67 set.
U 67 (1960)SM 23 c
Stereo Microphone

An updated version of Neumann’s stereo microphone SM 2. Like its predecessor the SM 23 has two small diaphragm systems with selectable polar patterns. The upper system may be rotated to allow for XY, MS, and Blumlein stereo techniques.
SM 23 cM 269 c
Switchable Condenser Microphone

The M 269 c was a special version of the U 67 for the German broadcast industry, which insisted on the use of the AC 701 tube (instead of the EF 86 used in the U 67).
M 269 cKM 64
Miniature Microphone

The KM 64 was the successor to Neumann’s KM 54 small diaphragm cardioid microphone. It still used an AC 701 tube circuit, but its capsule was a new design with a Mylar diaphragm.
KM 64SM 69
Stereo Microphone

Neumann’s first large diaphragm stereo microphone SM 69 was still tube based. Polar patterns were selectable for each capsule individually via the power supply.
SM 69SRM 64
Long Neck Stage Microphone

A long neck stage microphone for speeches and presentations. The SRM 64 consisted of a cardioid condenser capsule and a tube amplifier, hidden in the lower part of the stand tube.
SRM 64U 64
Miniature Microphone

The U 64 was a variant of the KM 64 small diaphragm microphone. Instead of the Telefunken AC 701, which was not as easily available in non-European countries, the U 64 used a tiny nuvistor tube.
U 64KTM
Transistor Microphone for Modulation Lead Powering

Neumann’s first solid state microphone. The KTM was a small diaphragm microphone using the same capsule as the KM 64. The KTM was soon replaced with the KM 74, which was almost identical except for a smaller body diameter.
KTMKM 66
Switchable Miniature Microphone

The KM 66 was a small diaphragm microphone with switchable patterns similar to the KM 56 but with two cardioid capsules with mylar diaphragms. The KM 66 was to remain Neumann’s last tube microphone design for almost 30 years.
KM 66KM 73
Miniature Microphone for Modulation Lead Powering

The KM 73 was an omnidirectional small diaphragm microphone with solid state electronics. It was powered via T-power, P48 phantom power had not yet been invented.
KM 73KM 74
Miniature Microphone for Modulation Lead Powering

The KM 74 the successor to the KTM, Neumann’s first transistorized microphone. It used the same cardioid capsule as the KM 64 and KM84, but the grounding scheme of its T-powered circuit necessitated a different capsule head design.
KM 74KM 75
Miniature Microphone for Modulation Lead Powering

The KM 75 was a cardioid microphone for short distances, e.g. in speech applications. Its capsule had a built-in low cut to compensate for the proximity effect. Like all KM 70 microphones, the KM 75 was T-powered.
KM 75KM 83
Miniature Microphone for Phantom Powering

The KM 83 was the omnidirectional model of the KM 80 series, which introduced a technology, which, due to its many advantages, soon became the new standard: P48 phantom power.
KM 83KM 84
Miniature Microphone for Phantom Powering

The small diaphragm cardioid microphone KM 84 was built until 1992 and remains one of the most popular Neumann classics. Its even frequency response and consistent pickup pattern make it a sought-after microphone for all genres.
KM 84KM 85
Miniature Microphone for Phantom Powering

The KM 85 was a cardioid microphone like the KM 84 but with a low cut built into the capsule to compensate for the proximity effect. The KM 85 was thus optimized for short distances as are typical in speech applications.
KM 85KML
Clip-on Microphone

Neumann’s first Lavalier microphone. Its solid state amplifier could be battery powered and used with wireless transmitters of the day, such as the Sennheiser SK 1007.
KMLKM 76
Switchable Miniature Microphone

The KM 76 was the solid state successor to the KM 66 small diaphragm tube microphone. The KM 76 offered switchable patterns (omni, cardioid, figure-8) and operated T-powered.
KM 76U 87 i
Switchable Studio Microphone

The Neumann U 87 is probably the best-known and most frequently used studio microphone the world over. Its smooth and refined sound is as iconic as its elegant exterior design. The U 87 is the standard microphone for speech and vocals.
U 87 iKM 86
Switchable Miniature Microphone

Like the KM 76, the KM 86 was a transistorized successor to the KM 66 small diaphragm tube microphone. The KM 86, however, was developed for P48 phantom power, introduced a few years earlier by Neumann – and soon the world standard.
KM 86KMA (1968)
Clip-on Microphone

The KMA (not to be confused with today’s KM A modular microphone system!) was an improved Lavalier microphone with an omnidirectional capsule and a detached amplifier. It ran on batteries or phantom power.
KMA (1968)U 77
Switchable Studio Microphone (Mod. Lead Powering)

Like the U 87, the U 77 was a solid state successor to Neumann’s classic tube microphone U 67. But instead of phantom power – which was not yet a studio standard – the U 77 operated on T-power.
U 77KM 88
Switchable Miniature Microphone

The KM 88 was a multipattern small diaphragm microphone (omni, cardioid, figure-8) with FET electronics, similar to the KM 86. However, it used the same nickel capsules previously found in the KM 56 tube microphone.
KM 88SM 69 fet
Stereo Microphone (Transistor)

With the beginning of the new decade, Neumann’s large diaphragm stereo microphone SM 69, too, was converted to solid state electronics. Nonetheless it still required a dedicated power supply due to its remote pattern control.
SM 69 fetKMS 85
Handheld Microphone

Neumann’s first handheld vocal microphone had an unusual shape, but it proved that clever engineering could render condenser microphones stage-ready.
KMS 85SRM 84
Long Neck Stage Microphone

The successor to the SRM 64 long neck stage microphone. Instead of a tube amplifier the SRM 84 had a solid state circuit hidden in the lower part of the stand tube.
SRM 84U 47 fet (1972)
Studio Microphone

By the early 70s Neumann’s tube microphone U 47 was legendary among seasoned engineers, and many wished for a direct solid state successor. The U 47 fet never quite filled those giant footprints, but was eventually (re)discovered as a classic in its own right.
U 47 fet (1972)KU 80
Dummy Head

In the early 70s people began to think beyond stereo. Neumann’s first dummy head microphone KU 80 was able to capture a realistic, three-dimensional sound image for headphone playback.
KU 80QM 69
Quadrophonic Microphone

In the mid-70s quadraphonic sound became popular among hi-fi enthusiasts. The Neumann QM 69 was a variant of the SM 69 fet with four separate outputs for each half of the two dual diaphragm capsules.
QM 69U 497
Studio Microphone

A microphone specially made for the French broadcasting network ORTF. The U 497 featured a K47 capsule and a sophisticated solid state circuit, similar to that of the U 47 fet, but adapted to French radio’s 12V-powering system.
U 497KMS 84
Handheld Microphone

Neumann’s second attempt at a stage microphone looked considerably more handsome than the KMS 85 introduced a few years earlier. The KMS 84 used the same capsule as the KM 84 in a newly designed headbasket with excellent pop protection.
KMS 84KMF 4 i
Miniature Microphone

A miniature microphone with a detached amplifier. Its visually unobtrusive cardioid capsule had a diameter of only 17 mm. The KMF 4 i could operate on phantom power or batteries.
KMF 4 iKU 81
Dummy Head

While older dummy head microphones created a stunningly realistic sound image when played back over headphones, loudspeaker playback was unsatisfactory. The KU 81 cured this with capsules equalized for the diffuse-field.
KU 81KMR 81 i
Shotgun Microphone

A short shotgun microphone, primarily designed for film dialogue. Like its longer sibling, the KMR 82 i, the KMR 81 i is still in production!
KMR 81 iTLM 170
Transformerless, switchable Studio Microphone

With the TLM 170 Neumann brought the first transformerless microphone onto the market. The absence of transformers makes the sound more transparent and open.
TLM 170RSM 190 i
First Stereo Shotgun Microphone

A stereo shotgun microphone with external matrix box. The RSM 190 i was a mid/side microphone with the shotgun part delivering the M-component and a second figure-8 capsule system, angled 90 degrees, providing the S-component.
RSM 190 iKM 130
Miniature Microphone

The KM 130 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 130 combines the KM 100 output stage with the diffuse-field equalized omni capsule AK 30.
KM 130KM 131
Miniature Microphone

The KM 131 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 131 combines the KM 100 output stage with the free-field equalized omni capsule AK 31.
KM 131KM 140
Miniature Microphone

The KM 140 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 140 combines the KM 100 output stage with the cardioid capsule AK 40.
KM 140KM 143
Miniature Microphone

The KM 143 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 143 combines the KM 100 output stage with the wide cardioid capsule AK 43.
KM 143KM 145
Miniature Microphone

The KM 145 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 145 combines the KM 100 output stage with the cardioid capsule AK 45, whose built-in low cut compensates the proximity effect.
KM 145KM 150
Miniature Microphone

The KM 150 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 150 combines the KM 100 output stage with the hypercardioid capsule AK 50.
KM 150GFM 132
Boundary Layer Microphone

Neumann’s first and only boundary layer microphone. The GFM 132 was designed using computer simulations: The unique shape of the base plate avoids comb filter effects.
GFM 132TLM 50
Pressure Microphone

The TLM 50 revived the unique capsule technology of the classic Neumann M 50 of the 1950s and combined it with a cutting edge transformerless head amplifier for lowest noise and distortion.
TLM 50KMS 140
Handheld Micropohne

A handheld condenser microphone for pristine vocals on stage. The KMS 140 (cardioid) was the precursor to today’s very successful KMS 104.
KMS 140KMS 150
Handheld Microphone

A handheld condenser microphone for pristine vocals on stage. The KMS 150 (hypercardioid) was the precursor to today’s very successful KMS 105.
KMS 150KFM 100
Spherical-Surface Stereo Microphone

The spherical surface microphone KFM 100 had two omni capsules flush mounted in a sphere. It worked similar to a dummy head stereo microphone, but was optimized for loudspeaker playback. Although technically excellent, it never caught on.
KFM 100TLM 170 R
录音棚话筒

Ten years after its initial release the TLM 170 was updated with Neumann’s new remote switching technology. In the ‚R’ setting the directional pattern may be controlled from the PSU with no special multipin cables required.
TLM 170 RKM 184 (Series 180)
小型话筒

KM 184是一款经典的小振膜电容话筒,拥有心形指向特性且不随频率变化而改变。作为KM 84的成功继任者,KM 184采用了电子平衡输出(无变压器),可以处理更高的声压级。
KM 184 (Series 180)RSM 191 A Set
Stereo Shotgun Microphone

A stereo shotgun microphone for broadcast, film, and on-location applications. Like its predecessor the RSM 191 A operates in mid/side technique; the corresponding new MTX 191 A matrix box offered significantly enhanced features.
RSM 191 A SetM 149 Tube
录音棚电子管话筒

M 149是诺音曼电子管话筒中断近30年后推出的重新推出的第一款话筒,其创新地将本底噪声极低的电子管电路和全球先进的无变压器输出级结合在一起而获得TEC大奖。
M 149 TubeKM 120
Miniature Microphone

The KM 120 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 120 combines the KM 100 output stage with the figure-8 capsule AK 20.
KM 120TLM 103
录音棚话筒

TLM 103是诺音曼历史上最成功的话筒之一,上市以来迅速成为现代录音棚标杆产品,它的定位是一款物超所值的小U 87,只有7 dB-A本底噪声,也是最安静的话筒之一。
TLM 103KM 183 (Series 180)
小型话筒

KM 183是一款经典的小振膜电容话筒,拥有全指向特性且不随频率变化而改变。作为KM 83的成功继任者,KM 183采用了电子平衡输出(无变压器),可以处理更高的声压级。
KM 183 (Series 180)KM 185 (Series 180)
小型话筒

KM 185是一款经典的小振膜电容话筒,拥有超心形指向特性且不随频率变化而改变。KM 185的高指向性可以满足更高的拾音需求,例如鼓声拾音。
KM 185 (Series 180)KMS 105
舞台话筒

KMS 105是一款用于舞台的录音棚级人声话筒,并兼有舞台话筒的所有优点:对喷口噪声有出色的防护、超低的触摸杂音、巨大的声压级承受能力以及较高的反馈抑制能力——这要得益于其指向特性稳定的超心形模式。
KMS 105M 150 Tube
录音棚电子管话筒

M 150 Tube是一款基于诺音曼传奇话筒M 50的独特小振膜电容话筒,它的钛振膜话筒极头嵌装在小型球体的表面以增加在更高频率下的指向性,非常适合DECCA Tree立体声和环绕声录音
M 150 TubeKK 105 S
话筒头 (SKM 5200/5000 N)

舞台上的诺音曼之声 - 有线变无线!KK 105 S是一款精密制造的真电容超心形话筒头,专为森海塞尔SKM 5000/5200手持发射器而设计。
KK 105 SBCM 104
广播话筒

BCM 104是一款用于广播播音员和DJ的专用广播话筒,以诺音曼的专业传递细腻的情感。优化设计的功能具有以下特征:集成的防喷网和专为语言播音而研发的防振大振膜电容话筒头。无变压器电路可以保证真实纯净的声音。
BCM 104D-01
Digital Studio Microphone

A new milestone: The D-01 digital microphone is the flagship of Neumann’s Solution D technology ensuring unprecedented fidelity and an enormous dynamic range of 130 dB. All functions may be remote controlled via the AES 42 interface.
D-01TLM 127
Studio Microphone

Designed as the bigger brother of the popular TLM 103, the TLM 127 offered additional functions such as pad and low cut and even remote controllable patterns using the patented technology Neumann had introduced ten years earlier with the TLM 170 R.
TLM 127KK 104 S
话筒头 (SKM 5200/5000 N)

舞台上的诺音曼之声 - 有线变无线!KK 104 S是一款精密制造的真电容心形话筒头,专为森海塞尔SKM 5000/5200手持发射器而设计。
KK 104 STLM 49 Set
录音棚话筒

TLM 49复刻了战后诺音曼经典产品的怀旧音色,将场效应晶体管(FET)技术再次呈现,其采用与诺音曼传奇话筒M 49完全相同话筒头,继承了电子管话筒在高声压级下的温润风格。
TLM 49 SetU 87 Anniversary Set
Studio Microphone

For its 40th anniversary the U 87 was offered as a special set in a unique retro style case. The microphone, its shock mount, and the exclusive 60s style pop shield featured an attractive combination of polished and matte nickel surfaces.
U 87 Anniversary SetTLM 103 D
Digital Studio Microphone

灵感源于传奇话筒U 67,TLM 67是一款通用的录音棚话筒,具有三种指向性模式,其无变压器晶体管电路,在高声压级下可呈现电子管声音的特征。
TLM 103 DKMS 104 plus
舞台话筒

The KMS 104 plus is a special version of the popular KMS 104 cardioid stage microphone. A slight boost in the low frequencies gives the plus version more “warmth” and “weight”. The KMS 104 plus is particularly popular among female singers.
KMS 104 plusKH 120 A G
双通道有源近场监听音箱

Starting with the KH 120 in 2010, Neumann offers his expertise in electro-acoustic transducer technologies to the studio monitoring market, and is now the perfect partner for both the front end and the back end of the audio signal path.
KH 120 A GKMR 81 D
Digital Shotgun Microphone

The KMR 81 D is the digital version of Neumann’s shotgun microphone KMR 81 i for film dialog and broadcast applications with highest fidelity, thanks to Neumann’s Solution D technology. The KMR 81 D complies to the AES 42 standard for digital microphones.
KMR 81 DKMS 104 D
Digital Stage Microphone

The KMS 104 D is the digital version of Neumann’s cardioid stage microphone KMS 104. Neumann’s Solution D technology ensures highest fidelity for a pristine studio grade vocal sound.
KMS 104 DKMS 105 D
Digital Stage Microphone

The KMS 105 D is the digital version of Neumann’s supercardioid stage microphone KMS 105. Neumann’s Solution D technology ensures highest fidelity for a pristine studio grade vocal sound.
KMS 105 DKH 810
7.1模拟低音管理的低音炮

The KH 810 is a subwoofer with a High Precision Bass Manager™ for stereo and surround setups up to 7.1. Thanks to the latest amplifier and acoustical components, the KH 810 achieves distortion-free bass extension down to 18 Hz.
KH 810KH 870
7.1低音管理的低音炮

The KH 870 is a subwoofer with a High Precision Bass Manager™ for stereo and surround setups up to 7.1. It offers the same precision as the KH 810 but with additional power for distortion-free bass reproduction even at highest SPLs.
KH 870KK 204
话筒头 (适用于森海塞尔无线系统)

舞台上的诺音曼之声—有线变无线!KK 204是一款适用于森海塞尔SKM 2000/6000/9000手持发射器和EW G4 300/500和EW-D无线系统的优质话筒头。
KK 204KH 310 A
三通道有源近场监听音箱

A high-resolution tri-amplified near-field monitor for editing, mixing, and mastering with confidence and precision. The KH 310 A offers the fastest transient response in its class, outstanding midrange detail, and a pleasantly dry low frequency reproduction.
KH 310 AKH 420
三通道有源中场监听音箱

A powerful tri-amplified midfield monitor for demanding engineers. The KH 410 combines enormous SPL capability with a low frequency reproduction that extends down to 26 Hz.
KH 420U 47 fet i
录音棚话筒

作为传奇U47 tube的继任者,U47 fet其本身就为了诺音曼的经典之作,流畅而华丽的特质塑造了70年代的声音理念。 应大众需求,U 47 fet在2014年重返市场。
U 47 fet iKH 805
Subwoofer with 2.0/0.1 Bass Management

A budget friendly stereo version of the reknowned KH 810 subwoofer. The KH 805 offers low frequency extension down to 18 Hz and features a bypassable 2.1/0.1 bass manager which enables it to be used in many different applications.
KH 805KH 80 DSP A G
双通道有源近场监听音箱

Neumanns first DSP-controlled studio monitor. Despite its small size, the KH 80 DSP achieves reference class sound. Its DSP engine allows for FIR phase correction as well as a room alignment using the Neumann.Control App.
KH 80 DSP A GKH 750 DSP
2.0/2.1低音管理的低音炮

Compact DSP-controlled closed cabinet subwoofer. It is the ideal choice for smaller rooms and smaller studio monitors, such as the KH 80 DSP.
KH 750 DSPMA 1
MA 1 - 自动监听音箱校准工具

诺音曼自动监听校准话筒MA 1可确保从家庭录音棚到专业录音棚,在任何房间内都能获得最佳音质。 使用单独校准的测量话筒,您可以按照指导流程,分析声学环境。
MA 1KH 150 AES67
Two Way Nearfield Monitor

DSP-powered, bi-amplified studio monitor with deep bass response and outstanding resolution. AES67.
KH 150 AES67NDH 30 Black Edition
Open-back studio headphone

Reference-class open-back studio headphone for editing, mixing, and mastering
NDH 30 Black Edition
1928
CMV 3

1949
MM 2

1949
U 47

1951
M 49

1951
M 50

1953
KM 53

1954
KM 54

1954
MM 3

1955
KM 56

1957
SM 2

1957
U 48

1959
MM 5

1960
KM 253

1960
KM 254

1960
KM 256

1960
U 67 (1960)

1961
SM 23 c

1962
M 269 c

1964
KM 64

1964
SM 69

1964
SRM 64

1964
U 64

1965
KTM

1966
KM 66

1966
KM 73

1966
KM 74

1966
KM 75

1966
KM 83

1966
KM 84

1966
KM 85

1966
KML

1967
KM 76

1967
U 87 i

1968
KM 86

1968
KMA (1968)

1968
U 77

1969
KM 88

1970
SM 69 fet

1971
KMS 85

1971
SRM 84

1972
U 47 fet (1972)

1973
KU 80

1974
QM 69

1975
U 497

1977
KMS 84

1978
KMR 82 i

1979
USM 69 i

1980
U 89 i

1982
KMF 4 i

1982
KU 81

1983
KMR 81 i

1983
TLM 170

1986
U 87 Ai

1987
RSM 190 i

1988
KM 130

1988
KM 131

1988
KM 140

1988
KM 143

1988
KM 145

1988
KM 150

1990
GFM 132

1990
TLM 50

1991
KMS 140

1991
KMS 150

1992
KFM 100

1992
KU 100

1993
TLM 170 R

1993
TLM 193

1994
KM 184 (Series 180)

1994
RSM 191 A Set

1995
M 149 Tube

1997
KM 120

1997
TLM 103

1998
M 147 Tube

1999
KM 183 (Series 180)

1999
KM 185 (Series 180)

1999
KMS 105

2000
M 150 Tube

2002
KK 105 S

2003
BCM 104

2003
D-01

2003
TLM 127

2004
KK 104 S

2005
BCM 705

2006
TLM 49 Set

2007
U 87 Anniversary Set

2008
TLM 103 D

2008
TLM 67

2009
KK 184 + KM A

2009
KMS 104 plus

2009
TLM 102

2010
KH 120 A G

2010
KMR 81 D

2010
KMS 104 D

2010
KMS 105 D

2011
KH 810

2011
KH 870

2012
KK 204

2013
KH 310 A

2014
KH 420

2014
TLM 107

2014
U 47 fet i

2015
KH 805

2017
KH 80 DSP A G

2018
U 67 Set

2019
KH 750 DSP

2019
NDH 20

2020
MA 1

2020
V 402

2021
KH 750 AES67

2022
KH 150

2022
KH 150 AES67

2022
M 49 V 套装

2022
Miniature Clip Mic System MCM

2022
NDH 20 Black Edition

2022
NDH 30

2023
KH 120 II

2023
KH 120 II AES67

2023
MT 48

2023
NDH 30 Black Edition