CMV 3

First Condenser Microphone

The 'Neumann Bottle', the first ever mass produced condenser microphone. Diameter: 9 cm, height: 40 cm, weight: 3 kg. Telefunken, a subsidiary of AEG, took on the marketing rights to this Neumann microphone.

MM 2

Measuring Microphone

Neumann’s first measurement microphone. Its tube amplifier was based on the U 47’s, but instead of a large diaphragm capsule it used a tiny high-precision condenser capsule on a long neck to avoid reflections from the microphone body.

U 47

Switchable Condenser Microphone

The first switchable pattern condenser microphone. It has been used in countless famous recordings. Maybe the most popular Neumann microphone – A Legend.

M 50

Condenser Microphone (omni)

The M 50 was instrumental in developing the Decca tree recording technique. The open mesh headbasket houses a small diaphragm capsule flush mounted in a small sphere. Its unique acoustic properties are ideally suited to orchestral recordings.

M 49

Remote Switchable Condenser Microphone

The M 49 was the first studio microphone with a continuously variable directional pattern. It used the same large diaphragm capsule as the U 47 and ranks among the most sought-after tube microphones of all time. In 2022 it was reissued by Neumann as the M 49 V Set.

KM 53

Miniature Microphone

Neumann’s first small diaphragm studio microphone. The KM 53 was a pressure transducer with an ultra-thin metal diaphragm. Like all microphones of its time, it operated with tube electronics.

KM 54

Miniature Microphone

The KM 54 was the cardioid counterpart to the omnidirectional small diaphragm microphone KM 53, introduced the previous year. The KM 54 featured an ultra-thin metal diaphragm and tube electronics.

MM 3

Measuring Microphone

The MM 3 was a high-precision measurement microphone, much like its predecessor, the MM 2, but with updated tube electronics.

KM 56

Switchable Miniature Microphone

Neumann’s first small diaphragm microphone with selectable directional patterns (omni, cardioid, figure-8). Due to its complexity on a small footprint the KM 56 ranked among the most expensive microphones of its era.

SM 2

Stereo Microphone

Neumann’s first stereo microphone. With its two independently switchable small diaphragm systems (omni, cardioid, figure-8) the SM 2 allowed for all kinds of coincidental stereo recording techniques.

U 48

Switchable Condenser Microphone

The U 48 was a special variant of Neumann’s flagship studio microphone, the U 47. Instead of cardiod and omni patterns the U 48 offered cardioid and figure-8.

MM 5

Measuring Microphone

The MM 5 was an update on Neumann’s previous measurement microphones MM 2 and MM 3 with lower noise electronics, but still tube-based. The MM 5 was to remain the last measurement microphone produced by Neumann.

KM 256

Miniature Microphone (HF proof)

A special version of Neumann’s flagship small diaphragm microphone KM 56 with switchable patterns (omni, cardioid, figure-8). As requested by the broadcast industry, the KM 256 was fitted with a different plug for increased RF-immunity.

KM 254

Miniature Microphon (HF proof)

A special version of the cardioid small diaphragm microphone KM 54 for the broadcast industry. For increased RF-immunity the KM 254 was fitted with a different plug.

U 67 (1960)

Switchable Condenser Microphone

The U 67 tube microphone was the quintessential studio workhorse throughout the formative years of modern music. Today, more than ever, its inimitably smooth sound continues to be in high demand. In 2018, it was reissued by Neumann as the U 67 set.

KM 253

Miniature Microphone (HF proof)

A special version of the omnidirectional small diaphragm microphone KM 53 for the broadcast industry. For increased RF-immunity the KM 253 was fitted with a new, larger plug.

SM 23 c

Stereo Microphone

An updated version of Neumann’s stereo microphone SM 2. Like its predecessor the SM 23 has two small diaphragm systems with selectable polar patterns. The upper system may be rotated to allow for XY, MS, and Blumlein stereo techniques.

M 269 c

Switchable Condenser Microphone

The M 269 c was a special version of the U 67 for the German broadcast industry, which insisted on the use of the AC 701 tube (instead of the EF 86 used in the U 67).

SRM 64

Long Neck Stage Microphone

A long neck stage microphone for speeches and presentations. The SRM 64 consisted of a cardioid condenser capsule and a tube amplifier, hidden in the lower part of the stand tube.

U 64

Miniature Microphone

The U 64 was a variant of the KM 64 small diaphragm microphone. Instead of the Telefunken AC 701, which was not as easily available in non-European countries, the U 64 used a tiny nuvistor tube.

SM 69

Stereo Microphone

Neumann’s first large diaphragm stereo microphone SM 69 was still tube based. Polar patterns were selectable for each capsule individually via the power supply.

KM 64

Miniature Microphone

The KM 64 was the successor to Neumann’s KM 54 small diaphragm cardioid microphone. It still used an AC 701 tube circuit, but its capsule was a new design with a Mylar diaphragm.

KTM

Transistor Microphone for Modulation Lead Powering

Neumann’s first solid state microphone. The KTM was a small diaphragm microphone using the same capsule as the KM 64. The KTM was soon replaced with the KM 74, which was almost identical except for a smaller body diameter.

KM 66

Switchable Miniature Microphone

The KM 66 was a small diaphragm microphone with switchable patterns similar to the KM 56 but with two cardioid capsules with mylar diaphragms. The KM 66 was to remain Neumann’s last tube microphone design for almost 30 years.

KML

Clip-on Microphone

Neumann’s first Lavalier microphone. Its solid state amplifier could be battery powered and used with wireless transmitters of the day, such as the Sennheiser SK 1007.

KM 85

Miniature Microphone for Phantom Powering

The KM 85 was a cardioid microphone like the KM 84 but with a low cut built into the capsule to compensate for the proximity effect. The KM 85 was thus optimized for short distances as are typical in speech applications.

KM 84

Miniature Microphone for Phantom Powering

The small diaphragm cardioid microphone KM 84 was built until 1992 and remains one of the most popular Neumann classics. Its even frequency response and consistent pickup pattern make it a sought-after microphone for all genres.

KM 83

Miniature Microphone for Phantom Powering

The KM 83 was the omnidirectional model of the KM 80 series, which introduced a technology, which, due to its many advantages, soon became the new standard: P48 phantom power.

KM 75

Miniature Microphone for Modulation Lead Powering

The KM 75 was a cardioid microphone for short distances, e.g. in speech applications. Its capsule had a built-in low cut to compensate for the proximity effect. Like all KM 70 microphones, the KM 75 was T-powered.

KM 74

Miniature Microphone for Modulation Lead Powering

The KM 74 the successor to the KTM, Neumann’s first transistorized microphone. It used the same cardioid capsule as the KM 64 and KM84, but the grounding scheme of its T-powered circuit necessitated a different capsule head design.

KM 73

Miniature Microphone for Modulation Lead Powering

The KM 73 was an omnidirectional small diaphragm microphone with solid state electronics. It was powered via T-power, P48 phantom power had not yet been invented.

KM 76

Switchable Miniature Microphone

The KM 76 was the solid state successor to the KM 66 small diaphragm tube microphone. The KM 76 offered switchable patterns (omni, cardioid, figure-8) and operated T-powered.

U 87 i

Switchable Studio Microphone

The Neumann U 87 is probably the best-known and most frequently used studio microphone the world over. Its smooth and refined sound is as iconic as its elegant exterior design. The U 87 is the standard microphone for speech and vocals.

U 77

Switchable Studio Microphone (Mod. Lead Powering)

Like the U 87, the U 77 was a solid state successor to Neumann’s classic tube microphone U 67. But instead of phantom power – which was not yet a studio standard – the U 77 operated on T-power.

KM 86

Switchable Miniature Microphone

Like the KM 76, the KM 86 was a transistorized successor to the KM 66 small diaphragm tube microphone. The KM 86, however, was developed for P48 phantom power, introduced a few years earlier by Neumann – and soon the world standard.

KMA (1968)

Clip-on Microphone

The KMA (not to be confused with today’s KM A modular microphone system!) was an improved Lavalier microphone with an omnidirectional capsule and a detached amplifier. It ran on batteries or phantom power.

KM 88

Switchable Miniature Microphone

The KM 88 was a multipattern small diaphragm microphone (omni, cardioid, figure-8) with FET electronics, similar to the KM 86. However, it used the same nickel capsules previously found in the KM 56 tube microphone.

SM 69 fet

Stereo Microphone (Transistor)

With the beginning of the new decade, Neumann’s large diaphragm stereo microphone SM 69, too, was converted to solid state electronics. Nonetheless it still required a dedicated power supply due to its remote pattern control.

KMS 85

Handheld Microphone

Neumann’s first handheld vocal microphone had an unusual shape, but it proved that clever engineering could render condenser microphones stage-ready.

SRM 84

Long Neck Stage Microphone

The successor to the SRM 64 long neck stage microphone. Instead of a tube amplifier the SRM 84 had a solid state circuit hidden in the lower part of the stand tube.

U 47 fet (1972)

Studio Microphone

By the early 70s Neumann’s tube microphone U 47 was legendary among seasoned engineers, and many wished for a direct solid state successor. The U 47 fet never quite filled those giant footprints, but was eventually (re)discovered as a classic in its own right.

KU 80

Dummy Head

In the early 70s people began to think beyond stereo. Neumann’s first dummy head microphone KU 80 was able to capture a realistic, three-dimensional sound image for headphone playback.

QM 69

Quadrophonic Microphone

In the mid-70s quadraphonic sound became popular among hi-fi enthusiasts. The Neumann QM 69 was a variant of the SM 69 fet with four separate outputs for each half of the two dual diaphragm capsules.

U 497

Studio Microphone

A microphone specially made for the French broadcasting network ORTF. The U 497 featured a K47 capsule and a sophisticated solid state circuit, similar to that of the U 47 fet, but adapted to French radio’s 12V-powering system.

KMS 84

Handheld Microphone

Neumann’s second attempt at a stage microphone looked considerably more handsome than the KMS 85 introduced a few years earlier. The KMS 84 used the same capsule as the KM 84 in a newly designed headbasket with excellent pop protection.

KMR 82 i

샷건 마이크로폰

노이만의 첫 번째 샷건 마이크는 원하지 않는 소리를 최소화하기 위해 축외 응답에 세심하게 신경을 써서 설계되었습니다. KMR 82 i를 지금 만나보세요!

USM 69 i

스테레오 마이크로폰

USM 69 i는 노이만의 대형 다이어프램 스테레오 마이크 SM 69 fet의 개선된 버전입니다. 내장된 패턴 컨트롤이 있어서 더 이상 전용 전원 공급 장치가 필요하지 않지만 팬텀 전원으로 실행할 수 있습니다.

U 89 i

스튜디오 마이크

U 87의 후속 모델로 설계된 U 89는 노이만의 클래식 마이크로 인정받고 있습니다. U 89는 5개의 픽업 패턴에서 일정한 선형의 사운드를 구현하는 새로운 듀얼 다이어프램 캡슐을 자랑합니다.

KU 81

Dummy Head

While older dummy head microphones created a stunningly realistic sound image when played back over headphones, loudspeaker playback was unsatisfactory. The KU 81 cured this with capsules equalized for the diffuse-field.

KMF 4 i

Miniature Microphone

A miniature microphone with a detached amplifier. Its visually unobtrusive cardioid capsule had a diameter of only 17 mm. The KMF 4 i could operate on phantom power or batteries.

KMR 81 i

샷건 마이크로폰

주로 영화 대사 캡처용으로 설계된 샷건 마이크입니다. 더 긴 버전인 KMR 82 i와 마찬가지로 KMR 81 i은 현재 출시되고 있습니다!

TLM 170

Transformerless, switchable Studio Microphone

With the TLM 170 Neumann brought the first transformerless microphone onto the market. The absence of transformers makes the sound more transparent and open.

U 87 Ai

스튜디오 마이크

U 87 i와 비교해서, U 87 Ai는 더 안정적인 작동, 증가된 전송 계수, 개선된 S/N 비율, 생략된 내부 배터리 공급 등 전자 장치에서 약간의 변화가 있습니다.

RSM 190 i

First Stereo Shotgun Microphone

A stereo shotgun microphone with external matrix box. The RSM 190 i was a mid/side microphone with the shotgun part delivering the M-component and a second figure-8 capsule system, angled 90 degrees, providing the S-component.

KM 131

Miniature Microphone

The KM 131 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 131 combines the KM 100 output stage with the free-field equalized omni capsule AK 31.

KM 140

Miniature Microphone

The KM 140 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 140 combines the KM 100 output stage with the cardioid capsule AK 40.

KM 130

Miniature Microphone

The KM 130 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 130 combines the KM 100 output stage with the diffuse-field equalized omni capsule AK 30.

KM 143

Miniature Microphone

The KM 143 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 143 combines the KM 100 output stage with the wide cardioid capsule AK 43.

KM 145

Miniature Microphone

The KM 145 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 145 combines the KM 100 output stage with the cardioid capsule AK 45, whose built-in low cut compensates the proximity effect.

KM 150

Miniature Microphone

The KM 150 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 150 combines the KM 100 output stage with the hypercardioid capsule AK 50.

TLM 50

Pressure Microphone

The TLM 50 revived the unique capsule technology of the classic Neumann M 50 of the 1950s and combined it with a cutting edge transformerless head amplifier for lowest noise and distortion.

GFM 132

Boundary Layer Microphone

Neumann’s first and only boundary layer microphone. The GFM 132 was designed using computer simulations: The unique shape of the base plate avoids comb filter effects.

KMS 150

Handheld Microphone

A handheld condenser microphone for pristine vocals on stage. The KMS 150 (hypercardioid) was the precursor to today’s very successful KMS 105.

KMS 140

Handheld Micropohne

A handheld condenser microphone for pristine vocals on stage. The KMS 140 (cardioid) was the precursor to today’s very successful KMS 104.

KU 100

더미 헤드

새롭게 개선된 더미 헤드 마이크 KU 100은 음악 및 오디오 드라마 제작에 최적화된 진정한 몰입형 사운드를 제공합니다. 산업용으로도 사용됩니다.

KFM 100

Spherical-Surface Stereo Microphone

The spherical surface microphone KFM 100 had two omni capsules flush mounted in a sphere. It worked similar to a dummy head stereo microphone, but was optimized for loudspeaker playback. Although technically excellent, it never caught on.

TLM 170 R

스튜디오 마이크로폰

최초 출시 이후 TLM 170은 10년이 지나서 노이만의 새로운 원격 스위칭 기술로 업데이트되었습니다. 'R' 설정에서 지향성 패턴은 특수 멀티핀 케이블 없이 PSU에서 제어할 수 있습니다.

TLM 193

스튜디오 마이크

홈 레코딩 사용자에게 중요한 필수 기능에 초점을 맞춘 TLM 193 카디오이드 마이크는 수요가 증가하는 홈 레코딩 분야에서 적은 예산을 가진 사용자에게 이상적입니다.

RSM 191 A Set

Stereo Shotgun Microphone

A stereo shotgun microphone for broadcast, film, and on-location applications. Like its predecessor the RSM 191 A operates in mid/side technique; the corresponding new MTX 191 A matrix box offered significantly enhanced features.

KM 184 (Series 180)

소형 마이크로폰

주파수에 관계없이 일관된 카디오이드 패턴을 가진 레퍼런스급 소형 다이어프램 마이크. KM 184는 클래식 KM 84의 후속으로 변압기가 없는 출력 스테이지 덕분에 훨씬 더 높은 SPL을 처리할 수 있습니다.

M 149 Tube

스튜디오 튜브 마이크로폰

근 30년만에 출시된 노이만 첫 번째 진공관 마이크. M 149는 (놀랍도록 낮은 노이즈) 진공관 회로와 변압기가 없는 최첨단 출력단의 혁신적인 조합으로 TEC Award를 수상했습니다.

TLM 103

스튜디오 마이크로폰

M 147 Tube는 1950년대의 노이만의 유명한 진공관 마이크의 클래식 사운드를 재현합니다. 혁신적인 트랜스포머리스 튜브 회로와 결합된 전설적인 U 47과 동일한 캡슐을 사용합니다.

KM 120

Miniature Microphone

The KM 120 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 120 combines the KM 100 output stage with the figure-8 capsule AK 20.

M 147 Tube

스튜디오 튜브 마이크로폰

M 147 Tube는 1950년대의 노이만의 유명한 진공관 마이크의 클래식 사운드를 재현합니다. 혁신적인 트랜스포머리스 튜브 회로와 결합된 전설적인 U 47과 동일한 캡슐을 사용합니다.

KMS 105

무대용 마이크로폰

KMS 105는 스튜디오급 성능을 제공하는 무대용 보컬 마이크입니다. 슈퍼 카디오이드 패턴으로 탁월한 팝 프로텍션, 낮은 핸들링 노이즈, 뛰어난 SPL 기능 및 높은 피드백 리젝션 등 견고한 무대 마이크에게 필요한 모든 기능을 제공합니다.

KM 183 (Series 180)

소형 마이크로폰

주파수에 관계없이 일관된 무지향성 패턴을 가진 레퍼런스급 소형 다이어프램 마이크. KM 183은 클래식 KM 83의 후속으로, 변압기가 없는 출력 스테이지 덕분에 훨씬 더 높은 SPL을 처리할 수 있습니다.

KM 185 (Series 180)

소형 마이크로폰

주파수에 관계없이 일관된 하이퍼 카디오이드 패턴을 가진 레퍼런스급 소형 다이어프램 마이크. 높은 지향성 덕분에 KM 185는 드럼 녹음과 같이 까다로운 환경에서 탁월한 성능을 자랑합니다.

M 150 Tube

스튜디오 튜브 마이크로폰

1950년대의 전설적인 노이만 M 50을 기반으로 탄생된 독특한 무지향성 진공관 마이크. 티타늄 캡슐은 더 높은 주파수에서 지향성을 높이기 위해 작은 구에 매립 장착되어 DECCA 트리 기술에 이상적입니다.

KK 105 S

마이크로폰 헤드 (SKM 5200/5000 N)

무대 위에서 노이만 사운드를 무선으로! 캡슐 헤드 KK 105 S는 정밀하게 제조된 트루 콘덴서 수퍼카디오이드 캡슐을 사용하며 젠하이저 SKM 5000/5200 핸드헬드 송신기를 위해 특별히 설계되었습니다.

BCM 104

방송용 마이크로폰

라디오 아나운서와 DJ에게 최적화된 방송용 마이크 BCM 104는 노이만의 완벽한 기술로 감정까지 전달하도록 설계되었습니다. 내장된 팝 스크린과 음성 전달을 위해 특별히 개발된 충격 방지 대형 다이어프램 콘덴서 캡슐은 기능 면에서도 최적화된 디자인을 자랑합니다. 무변압기형 회로로 직접적이고 소음이 없는 소리를 전달합니다.

D-01

Digital Studio Microphone

A new milestone: The D-01 digital microphone is the flagship of Neumann’s Solution D technology ensuring unprecedented fidelity and an enormous dynamic range of 130 dB. All functions may be remote controlled via the AES 42 interface.

TLM 127

Studio Microphone

Designed as the bigger brother of the popular TLM 103, the TLM 127 offered additional functions such as pad and low cut and even remote controllable patterns using the patented technology Neumann had introduced ten years earlier with the TLM 170 R.

KK 104 S

마이크로폰 헤드(SKM 5200/5000 N)

무대 위에서 노이만 사운드를 무선으로! 캡슐 헤드 KK 104 S는 정밀하게 제조된 트루 콘덴서 카디오이드 캡슐을 사용하며 젠하이저 SKM 5000/5200 핸드헬드 송신기를 위해 특별히 설계되었습니다.

BCM 705

방송/팟캐스트 마이크로폰

감정을 완벽하게 전달할 수 있도록 제작된 합리적인 가격대의 방송용 마이크. 기능적으로 최적화된 디자인으로 탄성 서스펜션이 특징. 다이내믹 캡슐이 내장된 노이만 첫 번째 마이크.

TLM 49 Set

스튜디오 마이크로폰

안정적인 FET 회로로 재현된 노이만의 빈티지 클래식 사운드. TLM 49에는 전설적인 M 49와 동일한 캡슐과 상징적인 헤드 그릴 디자인이 적용되었습니다. 튜브 마이크와 마찬가지로, TLM 49는 더 높은 SPL에서 더 부드러운 재생합니다.

U 87 Anniversary Set

Studio Microphone

For its 40th anniversary the U 87 was offered as a special set in a unique retro style case. The microphone, its shock mount, and the exclusive 60s style pop shield featured an attractive combination of polished and matte nickel surfaces.

TLM 103 D

Digital Studio Microphone

The digital version of Neumann’s acclaimed TLM 103 large diaphragm condenser microphone. The TLM 103 D uses Neumann’s Solution D converter technology ensuring highest fidelity with an enormous dynamic range of 130 dB.

TLM 67

스튜디오 마이크

KMS 104 plus는 인기 있는 KMS 104 카디오이드 무대 마이크의 특별 버전입니다. 낮은 주파수에서 약간의 부스트 덕분에 사운드 "따뜻함"과 "무게"를 추가합니다. KMS 104 plus는 특히 여성 가수들에게 인기가 높습니다.

TLM 102

스튜디오 마이크

작은 스튜디오를 위한 큰 사운드: TLM 102는 노이만의 가장 저렴한 대형 다이어프램 마이크입니다. 독일에서 제작된 노이만의 우수한 퀄리티를 제공합니다.

KMS 104 plus

무대 마이크로폰

The KMS 104 plus is a special version of the popular KMS 104 cardioid stage microphone. A slight boost in the low frequencies gives the plus version more “warmth” and “weight”. The KMS 104 plus is particularly popular among female singers.

KMS 104 D

Digital Stage Microphone

The KMS 104 D is the digital version of Neumann’s cardioid stage microphone KMS 104. Neumann’s Solution D technology ensures highest fidelity for a pristine studio grade vocal sound.

KMS 105 D

Digital Stage Microphone

The KMS 105 D is the digital version of Neumann’s supercardioid stage microphone KMS 105. Neumann’s Solution D technology ensures highest fidelity for a pristine studio grade vocal sound.

KH 120 A G

Two Way Nearfield Monitor

Starting with the KH 120 in 2010, Neumann offers his expertise in electro-acoustic transducer technologies to the studio monitoring market, and is now the perfect partner for both the front end and the back end of the audio signal path.

KMR 81 D

Digital Shotgun Microphone

The KMR 81 D is the digital version of Neumann’s shotgun microphone KMR 81 i for film dialog and broadcast applications with highest fidelity, thanks to Neumann’s Solution D technology. The KMR 81 D complies to the AES 42 standard for digital microphones.

KH 870

7.1 저음 관리 서브우퍼

The KH 870 is a subwoofer with a High Precision Bass Manager™ for stereo and surround setups up to 7.1. It offers the same precision as the KH 810 but with additional power for distortion-free bass reproduction even at highest SPLs.

KH 810

7.1 저음 관리 서브우퍼

The KH 810 is a subwoofer with a High Precision Bass Manager™ for stereo and surround setups up to 7.1. Thanks to the latest amplifier and acoustical components, the KH 810 achieves distortion-free bass extension down to 18 Hz.

KK 204

마이크로폰 헤드 (젠하이저 무선 시스템용)

무대 위의 노이만 사운드를 무선으로! 캡슐 헤드 KK 204는 정밀하게 제조된 트루 콘덴서 카디오이드 캡슐을 사용하며 젠하이저 SKM 2000/6000/9000 핸드헬드 송신기, EW G4 300/500 및 EW-D 무선 시스템에 최적으로 설계되었습니다.

KH 310 A

3-way 니어필드 모니터

A high-resolution tri-amplified near-field monitor for editing, mixing, and mastering with confidence and precision. The KH 310 A offers the fastest transient response in its class, outstanding midrange detail, and a pleasantly dry low frequency reproduction.

U 47 fet i

스튜디오 마이크

전설적인 U 47 튜브 마이크의 후속 제품으로 출시된 U 47 fet은 그 자체로 노이만 클래식이 되었습니다. 부드럽고 한정된 특성은 70년대의 사운드를 구현했습니다. 2014년부터 다시 제공되고 있습니다.

KH 420

3방향 미드필드 모니터

A powerful tri-amplified midfield monitor for demanding engineers. The KH 410 combines enormous SPL capability with a low frequency reproduction that extends down to 26 Hz.

TLM 107

Studio Microphone

최첨단 스튜디오 마이크로폰. TLM 107은 다섯 개의 지향성 패턴으로 극도로 선명한 사운드를 제공하는 최첨단 대형 다이어프램 마이크입니다. 가변 패드와 로우 컷 설정 그리고 방대한 다이내믹 레인지로 다양하게 사용할 수 있습니다.

KH 805

Subwoofer with 2.0/0.1 Bass Management

A budget friendly stereo version of the reknowned KH 810 subwoofer. The KH 805 offers low frequency extension down to 18 Hz and features a bypassable 2.1/0.1 bass manager which enables it to be used in many different applications.

KH 80 DSP A G

투웨이 니어필드 모니터

Neumanns first DSP-controlled studio monitor. Despite its small size, the KH 80 DSP achieves reference class sound. Its DSP engine allows for FIR phase correction as well as a room alignment using the Neumann.Control App.

U 67 Set

스튜디오 튜브 마이크로폰

1960년대의 사운드를 규정한 튜브 마이크의 재탄생!

KH 750 DSP

2.0/0.1 저음 관리 기능이 있는 서브우퍼

Compact DSP-controlled closed cabinet subwoofer. It is the ideal choice for smaller rooms and smaller studio monitors, such as the KH 80 DSP.

NDH 20

스튜디오 헤드폰

최초의 노이만 헤드폰 – 모니터링, 에디팅 및 믹싱에 최적화된 프리미엄 퀄리티의 밀폐형 스튜디오 헤드폰

V 402

듀얼 채널 마이크 프리앰프

헤드폰 모니터링이 통합된 최첨단 마이크 프리앰프

KH 750 AES67

AES67 Subwoofer with 2.0/0.1 Bass Management

Miniature Clip Mic System MCM

Miniature Clip Mic 시스템

음향 악기의 근접 마이킹으로 탁월한 노이만 사운드 구현.

M 49 V Set

원격 제어가 가능한 스튜디오 튜브 마이크

KH 150

Two Way Nearfield Monitor

DSP-powered, bi-amplified studio monitor with deep bass response and outstanding resolution.

NDH 30

Studio Headphone

Reference-class open-back studio headphone for editing, mixing, and mastering